Callcott, Maria. Journal of a Voyage to Brazil. Longman, Hurst, Rees, Orme, Brown, and Green.
prelims
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Liz Lochhead | In considering the question of why Mary Shelley
created monsters, LL
says she was haunted by that phrase from Goya
: The sleep of reason produces monsters. If you try to force things to be... |
Intertextuality and Influence | Caroline Norton | The title poem relates how simple Rosalie leaves her rustic home with a rich young man, Arthur, who lives with her but does not marry her. Deserted and rejected after bearing his baby, she sinks... |
Intertextuality and Influence | Maria Callcott | MC
's title-page quotes Byron
and her preface declares her subject to be the independence struggle of the patriots of the New World. Callcott, Maria. Journal of a Voyage to Brazil. Longman, Hurst, Rees, Orme, Brown, and Green. prelims |
Intertextuality and Influence | Liz Lochhead | The play was written for the Royal Lyceum Theatre Company
, who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's .... |
Intertextuality and Influence | Ruby M. Ayres | Love Without Wings takes its epigraph from Byron
, though RMA
writes, Friendship is love, without wings. Ayres, Ruby M. Love Without Wings. Hodder and Stoughton. title-page |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann. 19 |
Intertextuality and Influence | Frances Browne | FB
began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse. Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon. xvi-xvii |
Intertextuality and Influence | Felicia Hemans | She particularly admired Joanna Baillie
's Ethwald and the Chronicles of Froissart
. Germaine de Staël
's Corinne was another major influence on her. She wrote years later: That book, in particular towards its close... |
Intertextuality and Influence | Germaine de Staël | Sarah Harriet Burney
, like her famous sister, was troubled at GS
's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do... |
Intertextuality and Influence | Catherine Gore | The title-page quotes Byron
pronouncing shame to the land of the Gaul. Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. title-page Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. iii |
Intertextuality and Influence | Lady Caroline Lamb | Paul Douglass points out that Ada Reis is a work of scholarship as well as of imagination; before writing the text, LCL
had digested many recent works of travel and exploration, including those by... |
Intertextuality and Influence | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
Intertextuality and Influence | Catherine Gore | She quotes Byron
on the title-page. Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley. title-page |
Intertextuality and Influence | Jane Welsh Carlyle | In her youth Jane Welsh composed verse translations from texts by Goethe
and Pierre Cardenal
, and of Chateaubriand
's Atala. She also wrote a number of original short poems; two of those that... |
Intertextuality and Influence | Lady Caroline Lamb | This is a rollicking, fizzing, flighty, purposely excessive poem. It parodies yet also hitches a lift on Byron
's own whimsical style. Impersonating the male poet who lambasts Our maudlin, hey-down-derrified pathetic Lamb, Lady Caroline. A New Canto. William Wright. 27 |
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