Lawrence, C. E., and Maria Callcott. “Lady Callcott and Her Book”. Little Arthur’s History of England, Century Edition, J. Murray, p. xiii - xx.
xvii
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Maria Callcott | Her adult poetry (still in manuscript) was regarded by her editor of 1975 as conventional, sapless, and over-influenced by the early Byron
. Lawrence, C. E., and Maria Callcott. “Lady Callcott and Her Book”. Little Arthur’s History of England, Century Edition, J. Murray, p. xiii - xx. xvii |
Literary responses | Felicia Hemans | Byron
, in a letter to Murray
by 30 September 1816, praised The Restoration of the Works of Art to Italy as a good poem—very, and he echoed it in Canto 4 of Childe... |
Literary responses | Joanna Baillie | The Chief Justice of Ceylon, Sir Alexander Johnstone
, asked that two of JB
's last plays be translated into Singalese.One—The Bride, A Tragedy (published in summer 1828), had a Singalese subject. Quarterly Review. J. Murray. 38 (1828): 602 |
Literary responses | Charlotte Dacre | Byron
disparaged what he judged to be Rosa's absurd and incomprehensible prose in masquerade Dacre, Charlotte. “Introduction”. Zofloya; or, The Moor, edited by Kim Ian Michasiw, Oxford University Press, p. vii - xxx. xii |
Literary responses | Kate O'Brien | It was widely and enthusiastically reviewed. Biographer Lorna Reynolds
says KOB
, like Byron
, awoke one day to find herself famous. Reynolds, Lorna. Kate O’Brien: A Literary Portrait. Colin Smythe; Barnes and Noble. 39 |
Literary responses | Frances Browne | In the Dictionary of Literary BiographyMarya DeVoto
noted the interest in The Star of Attéghéi (and other poems in the volume) in the idea of exile, and the elegaic tone that pervades the volume... |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
Literary responses | Felicia Hemans | Byron
considered this poem inadequate as a result of FH
's lack of first-hand knowledge of Greece; her position on the controversial appropriation of the Greek antiquities by Britain also differed from his. Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, p. xi - xxxiii. xvi Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Charlotte Dacre | Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning... |
Literary responses | Hannah More | Next year saw a rich crop of reviews. Sydney Smith
in the Edinburgh Review, while praising HM
's style and her skill at manipulating her readers, damned the novel as over-moralized, strained and unnatural... |
Literary responses | Delarivier Manley | Later again there was affection, if not much respect, in Byron
's declaration that he disdain[ed] to write an Atalantis George Gordon, sixth Baron Byron,. Don Juan. Editor Marchand, Leslie Alexis, Houghton Mifflin, http://UofARutherford. 418 |
Literary responses | Felicia Hemans | Appreciation of FH
was slowly growing. Following on the positive responses from Scott
and Byron
, in October 1820John Taylor Coleridge
in the influential Quarterly Review (published by John Murray
, her own publisher)... |
Intertextuality and Influence | Theodora Benson | While the title alludes to Lewis Carroll
, the chapters are headed with quotations which begin with Shakespeare
and Verlaine
, move through such less usual sources as Punch and Rupert Brooke
, and conclude... |
Intertextuality and Influence | Ellen Johnston | In contrast to the life-writings of her working-class contemporary Hannah Cullwick
, EJ
's autobiography is remarkably self-reflexive and literary. She says that an account of her life in Dundee alone, her trials, disappointments, joys... |
Intertextuality and Influence | Mathilde Blind |
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