Henry Fielding

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Standard Name: Fielding, Henry

Connections

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Textual Features Sarah Fielding
David Simple predates all fictional work by Samuel Johnson and all but the earliest works by Henry Fielding and Samuel Richardson , which are sometimes mistakenly spoken of as its models. It may be seen...
Textual Features Mary Herberts
This ambivalently presented woman writer specialises in highflown rhetoric whose literal version is bathetic, foreshadowing a technique of Henry Fielding : the Sun beginning (in the Countess's style) to hasten to the Embraces of his...
Textual Features Alethea Lewis
She heads her novel with a prefatory letter to the Rev. William Johnstone , who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities...
Textual Features Frances Burney
Evelina opens with an ode to Charles Burney (unnamed) as Author of my Being, which sounds like an apology for having written.
Doody, Margaret Anne. Frances Burney: The Life in the Works. Cambridge University Press.
37
The preface acknowledges the formative influence of Richardson (as well as Henry Fielding
Textual Features Sarah Gardner
This is not a well-constructed plot, since it is low in suspense, surprise, or even action. The play progresses like a series of disconnected sketches. The mistaken identity, parental opposition, and lack of money hampering...
Textual Features Mary, Lady Champion de Crespigny
The novel opens self-consciously, desiring the reader not to be a severe critic and explaining that the characters first introduced, William Hoskins and his wife Jenny, are worthy, honest people without pedigree or honours.
Mary, Lady Champion de Crespigny,. The Pavilion. William Lane, Minerva Press.
1: 1
Textual Features Anna Maria Mackenzie
AMM 's opening address To the Readers of Modern Romance says that ancient romance was put paid to by the new source of amusement . . . struck out by Henry Fielding and Richardson (to...
Textual Features Sarah Green
This is a novel of courtship among upper-class characters: its title-page invokes the genre of Restoration comedy by quoting Vanbrugh —a different quotation from the one from him SG had used in 1810. But it...
Textual Features Mary Martha Sherwood
Her introduction calls Sarah Fielding a sister of the celebrated Fielding , and says that she, Sherwood, has retained the main story, the old-fashioned language, and just one of the fairy-tales as a sample of...
Textual Features Jane Collier
It vividly reflects the liveliness and originality of JC 's mind, her interest in books (from the classics and the Bible to very recent publications), education, women's issues, family life, and in moral interpretation of...
Textual Features Jane Collier
The commonplace-book throws light on Collier's other extant writings as well. A casual mention of what Sally calls the Turba proves definitively that at least one neologism in The Cry stemmed not from her but...
Textual Features Sarah Fielding
In the novel Leonora relates in a letter the story of her unhappy love. The benevolent Parson Adams keeps groaning in sympathy as he hears the letter read aloud; this is probably a compliment by...
Textual Production Sarah Fielding
This first edition appeared while SF 's brother Henry was out of London.
Textual Production Anna Maria Bennett
AMB published Juvenile Indiscretions, A Novel, written in the style of Henry Fielding .
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 375
Textual Production Mary Collyer
Marivaux' full title, La vie de Marianne; ou, Les aventures de Madame la Comtesse de*****, suggests a story from actual life. MC wrote most of her version before 1741 (very soon after the French...

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