Handl, Irene. The Sioux. Cape.
6
Connections Sort descending | Author name | Excerpt |
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Textual Features | Irene Handl | Vincent Castleton is mesmerized by the family, called the Sioux. (The Sioux is the Benoir name for the Benoirs.) Handl, Irene. The Sioux. Cape. 6 |
Textual Features | Mary Russell Mitford | Mitford put together landscape sketches (an agricultural landscape of fields, hedgerows, stiles, and village street), descriptions of labour in the fields, customs and festivals (May Day or a cricket match), the animals, the village shop... |
Textual Features | Elizabeth Heyrick | The message is anti-war. EH
rounds on Britain for supporting the ally of the Pope (i.e. Napoleon
, who had invited the Pope to preside at his coronation as emperor the previous year). She opens... |
Textual Features | Sydney Owenson, Lady Morgan | It is set in Dublin and Connemara during the 1790s, the time of the author's own youth, with closing scenes in Paris. The large cast of characters includes ancient Catholic landowning families of the... |
Textual Features | Isabel Hill | The translation contains an uncredited twenty-page biography (presumably written by Hill) which describes Germaine de Staël as the most distinguished authoress of her time Hill, Isabel et al. “Translator’s Preface; Madame de Staël”. Corinne; or, Italy, translated by. Isabel Hill and L. E. L., A. L. Burt, p. iii - iv; v-xxi. xx |
Textual Features | Henrietta Rouviere Mosse | The title-page quotes Shakespeare
, who is then cited in the preface to justify the genre of historical fiction. HRM
mentions her consultations of records and documents, and expresses her thanks to the gentlemen of... |
Textual Features | Elma Napier | EN
set her Carnival in Martinique, about a young servant girl struggling with class and gender limitations, in the French-speaking part of Martinique. Jeannette, a half-caste servant girl, leaves her chores to join... |
Textual Features | Emmuska, Baroness Orczy | She apologises to her readers in a foreword (written at Paris) for presenting the life-story of a liar, thief and forger, and for allowing him, too, to tell it himself. This man, Hector Ratichon, served... |
Textual Production | Joseph Conrad | The year after JC
's death there appeared his Suspense, an unfinished historical novel set during the Napoleon
ic wars. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press. 158 Ehrsam, Theodore G. A Bibliography of Joseph Conrad. Scarecrow Press. 8 “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Elizabeth Sophia Tomlins | An obituary of EST
published first in the Monthly Magazine and then, with some variations, in the Gentleman's Magazine, said that she contributed to nearly every respectable periodical of her age, and worked on... |
Textual Production | Sarah Grand | She wrote it, she said, because she felt there was something very wrong in the present state of society, and . . . I did what I could to suggest a remedy. Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge. 213 |
Textual Production | Jane Porter | JP
's first purpose included drawing a distinction between a brave patriot and a military plunderer. Porter, Jane. Thaddeus of Warsaw. T. N. Longman and O. Rees. v |
Textual Production | Anne Damer | AD
's activity as a sculptor dates mostly from after 1777. Her best-known works include the keystones of the bridge at Henley, carved to represent the rivers Thames and Isis: completed in 1785, they... |
Textual Production | Clemence Dane | |
Textual Production | Lady Mary Walker | LMW
told her nephew, as to Popoli, I had a set for your acceptance. Fraser, Sir William. The Melvilles, Earls of Melville and the Leslies, Earls of Leven. 2: 329 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
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