Women’s Writing in the British Isles from the Beginnings to the Present
Charles Dickens
-
Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Though FT
continues to be viewed as a caustic, prejudiced critic of unfamiliar social manners, as well as a snobbish middle-class Englishwoman eager to attack those she perceived to be beneath her, her travel journals...
Intertextuality and Influence
Josephine Butler
JB
's Appeal to the Women of America recounts the history of her involvement with the repeal campaign, as well as her reasons for shifting the focus of her energies from the campaign seeking higher...
Intertextuality and Influence
Henrietta Sykes
The comic character-drawing in this book may have been an influence on Dickens
.
Intertextuality and Influence
Mary Anne Barker
MAB
's discussion of schools leads her into an account of a visit made by the Norwegian missionary, Bishop Schreuder
, to a later Zulu chief, Cetshwayo
, taken from a blue-book or government report...
Intertextuality and Influence
Mary Elizabeth Braddon
MEB
was encouraged to write from an early age, particularly by her mother. She would later recall how when she was eight and had just learned to write, her godfather bought her a beautiful brand...
Intertextuality and Influence
Mary Elizabeth Braddon
MEB
recalled the publisher's desire for a blend of the human interest and genial humour of Dickens
with the plot-weaving of G. W. M. Reynolds
.
Braddon, Mary Elizabeth et al. “My First Novel”. The Trail of the Serpent, edited by Chris Willis and Chris Willis, Modern Library, 2003, pp. 415-27.
422
She indeed opens with a Dickensian flourish, conjuring...
Intertextuality and Influence
Georgiana Craik
In correspondence Dickens
noted that GC
's imitation of me is too glaring—I never saw anything so curious. She takes the very words in which Esther [Summerson] speaks, without seeming to know it.
qtd. in
Lohrli, Anne, and Charles Dickens. Household Words: A Weekly Journal 1850-1859. University of Toronto Press, 1973.
243
One...
Intertextuality and Influence
Evelyn Waugh
In this novel titled from T. S. Eliot
's The Waste Land, Waugh traces Tony Last, like others of his protagonists, from materially and socially comfortable but spiritually arid life in England, out...
Intertextuality and Influence
Mary Elizabeth Braddon
Waters argues that MEB
ought not to be condemned for clichés that she herself helped to establish. Rather we should examine them and the genre of the detective or sensation novel as an index of...
Intertextuality and Influence
Anna Maria Hall
The book provides a harsh critique of English boarding schools. Its account of school life may be autobiographical.
Keane, Maureen. Mrs. S.C. Hall: A Literary Biography. Colin Smythe, 1997.
110
In a footnote AMH
refers to Dickens
's Nicholas Nickleby: It may be necessary to...
Intertextuality and Influence
Ursula K. Le Guin
Science Fiction and Mrs Brown opens with a long quotation in which Woolf
relates how she observed this shabby, immaculate old lady on a train from Richmond to London, and saw her as the character...
Intertextuality and Influence
Elizabeth Gaskell
A recurring theme in Cranford is the resistance to change of this insular group—who are convinced, for instance, that robberies must be perpetrated by strangers and that a Signor Brunoni, who turns out to...
Intertextuality and Influence
Sarah Waters
The novel begins under the sign of Dickens
as one of its two narrator-heroines, then known as Susan Trinder, remembers being taken to see Oliver Twist on stage as a small child, and her terror...
Intertextuality and Influence
Sarah Waters
SW
puts in puts in something like a regular work day when writing, but keeps going to all hours when re-writing. Despite her success, she still finds the process largely torture. And yet [s]tarting...
