Fraser, Antonia. Must You Go?. Random House of Canada.
62
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Antonia Fraser | She followed it with Love Letters: An Anthology, dedicated to Harold Pinter
and published in later 1976. Fraser, Antonia. Must You Go?. Random House of Canada. 62 |
Publishing | Anna Seward | AS
compiled a 7-page booklet, Memoirs of Abelard
and Eloisa, which was issued at Newcastle with other Abelard and Eloisa material. The British Library Catalogue lists AS
's contribution as part of a larger work. Seward, Anna et al. “Memoirs of Abelard and Eloisa”. Letters of Abelard and Eloisa, translated by. John Hughes and John Hughes, J. Mitchell. title-page British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Features | Hildegarde of Bingen | Although the first version of the Symphonia, a poetic cycle that praises God, Mary, and certain saints, was completed in 1158, HB continued to add poems to it until her death. Newman, Barbara. “Poet: ’Where the Living Majesty Utters Mysteries’”. Voice of the Living Light: Hildegard of Bingen and Her World, edited by Barbara Newman, University of California Press, pp. 176-92. 182-3 |
Textual Features | Sally Purcell | On a Cenotaph quotes a phrase from Baudelaire
's poem Lesbos: the shocking juxtaposition of a dead body with adoration in le cadavre adoré di Sapho
. Though SP
supplied notes to some things... |
Textual Production | Héloïse | Héloïse
, having read Abelard
's autobiographical Historia calamitatum, began a correspondence with him in the same language, Latin. Radice, Betty. “The French Scholar-Lover: Héloïse”. Medieval Women Writers, edited by Katharina M. Wilson, University of Georgia Press, pp. 90-108. 94-5 |
Textual Production | Judith Cowper Madan | Abelard
to Eloisa, an epistolary reply written in 1720 by Judith Cowper (who by now was Judith Madan)
to Pope
's Eloisa to Abelard, was published in William Pattison
's posthumous works. The... |
Textual Production | Hélène Gingold | HG
published the five-act tragedy Abelard
and Heloise. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 247 (5 October 1906): 339 |
Textual Production | Hélène Gingold | |
Textual Production | Alexander Pope | |
Textual Production | Constantia Grierson | A long untitled poem in CG
's manuscript album beginning Ah Theodosius could mankind but see expresses the love of Constantia for Theodosius, using a literary veil drawn from the story of lovers of these... |
Textual Production | Helen Waddell | Helen Waddell
published a historical novel entitled Peter Abelard (in which, naturally, Heloise
is also an important figure). Dated from the Bodleian Library
acquisition stamp. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Helen Waddell | HW
never completed the work with which she hoped to crown her career as a scholar, a study of John of Salisbury
(who lived in the twelfth century and was a pupil of Abelard
... |
Theme or Topic Treated in Text | Anne Carson | More familiar medieval figures, Héloïse
and Abelard
, appear in this volume too, in a screenplay or dialogue. Sampson, Fiona. “Symphony of sighs”. theguardian.com. |
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