Marsh, Jan. Pre-Raphaelite Sisterhood. Quartet Books.
258-9
Connections | Author name Sort ascending | Excerpt |
---|---|---|
death | Elizabeth Siddal | Dante Gabriel Rossetti
collected ES
's extant drawings and sketches and had them photographed and put into folios as a memorial for friends. Pre-Raphaelite Women Artists by Jan Marsh and Pamela Gerrish Nunn reproduces a... |
Violence | Elizabeth Siddal | Dante Gabriel Rossetti
had ES
's coffin exhumed so he could retrieve from it the manuscript of his poems. Marsh, Jan. Pre-Raphaelite Sisterhood. Quartet Books. 258-9 Sheets, Robin Lauterbach. “Pornography and Art: The Case of ‘Jenny’”. Critical Inquiry, Vol. 14 , pp. 315-34. 333 Doughty, Oswald. A Victorian Romantic: Dante Gabriel Rossetti. Oxford University Press. 417 |
Education | Elizabeth Siddal | ES
was trained in dressmaking and later studied painting informally, in her connection with the Pre-Raphaelite Brotherhood
, from such artists as Dante Gabriel Rossetti
and Ford Madox Brown
. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago. 65, 66 |
Friends, Associates | Elizabeth Siddal | She met these progressive women, all committed to women's independent work, through Dante Gabriel Rossetti
. They took a strong interest in ES
, whom Smith saw as a genius despite being under a ban... |
Family and Intimate relationships | Elizabeth Siddal | ES
did not meet Dante Gabriel
's mother, Frances Lavinia Rossetti
, until April 1855, when he introduced them. Thereafter, it was assumed that the couple were at least unofficially engaged. Ruskin seems to have... |
Family and Intimate relationships | Elizabeth Siddal | Despite Rossetti
's protestations of love and promises of marriage, his relationship with ES
faltered in the spring of 1856 after her return to London. Marsh, Jan. Elizabeth Siddal, 1829-1862: Pre-Raphaelite Artist. The Ruskin Gallery. 15 |
Textual Production | Elizabeth Siddal | The suggestion for publishing these poems had been made by Dante Gabriel Rossetti
, but he made no further effort to publish them. ES
's work therefore languished until William Michael Rossetti
gathered his family's... |
Literary responses | Elizabeth Siddal | Jan Marsh, whose books on ES
are the most sustained studies to date, has done much to raise awareness of ES's significance in the Pre-Raphaelite movement and of the interest of both her visual and... |
Family and Intimate relationships | Elizabeth Siddal | ES
was modelling for and studying informally with Dante Gabriel Rossetti
; many have speculated that they became lovers. Marsh, Jan. Pre-Raphaelite Sisterhood. Quartet Books. 35-6, 67-8 |
Occupation | Elizabeth Siddal | Dante Gabriel Rossetti
showed Robert Browning
some drawings by ES
of a scene from Pippa Passes, with which Rossetti reported him delighted beyond measure. Rossetti, Dante Gabriel. Letters of Dante Gabriel Rossetti. Editors Doughty, Oswald and John Robert Wahl, Clarendon Press. 1: 281 |
Friends, Associates | Mary Shelley | MS
also met the leading women writers of her later years: Jane Porter
, Catherine Gore
, Caroline Norton
, and LEL
. She was friendly, too, with Thomas Moore
, Prosper Mérimée
, Washington Irving |
Occupation | John Ruskin | Having begun to publish in the 1830s, when he became a champion of J. W. Turner
against established styles of painting, JR
made his name and created a sensation with the appearance of the first... |
Textual Production | Christina Rossetti | Following the production of Verses, her brother Gabriel
showed more interest in CR
, discussing poetry with her and suggesting that they compose on the same subjects. He came up with the idea of... |
Intertextuality and Influence | Christina Rossetti | When William
had a poem published in the Athenæum, however, Christina allowed Gabriel
to select and retitle two of her poems for submission. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 88, 106 |
Textual Production | Christina Rossetti | According to biographer Jan Marsh
, she participated vicariously in the activities of the Pre-Raphaelite Brotherhood
from its inception in later 1848. Yet, as Andrew
and Catherine Belsey
have strenuously argued, and as the life... |
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