Faber and Faber

Connections

Connections Author name Sort ascending Excerpt
Textual Production Anne Ridler
This was designed as an introduction for readers unfamiliar with the poetry of the modern period, and ran from W. B. Yeats to Ruthven Todd . AR followed it with an extended volume of The...
Publishing Anne Ridler
AR 's first volume published with Faber & Faber benefited from the patronage of her former bosses there. T. S. Eliot recommended its publication,
Ridler, Anne. “Working for T.S. Eliot: A Personal Reminiscence”. Poetry Review, Vol.
73
, No. 1, pp. 46-9.
49
and the first edition appeared on expensive hand-made paper, which...
Textual Production Laura Riding
LR published her first volume of poetry for thirty-two years, Selected Poems: in Five Sets, with Faber and Faber , prefaced by her explanation of her present view of the untrustworthiness of poetry.
Friedmann, Elizabeth. A Mannered Grace. Persea Books.
421
Textual Production Ezra Pound
Faber and Faber published EP 's The Fifth Decad of Cantos, in which usury is a prominent theme.
Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, pp. xvii - xxxi; 1.
xxv, 7
Textual Production Ezra Pound
Published by Faber and Faber in England in 1957, it was reviewed for the Times Literary Supplement by Christine Brooke-Rose .
TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive.
2870 (1 March 1957): 130
Textual Production Sylvia Plath
Another posthumous volume of SP 's poetry, Crossing the Water, was published through Faber and Faber .
Tabor, Stephen. Sylvia Plath: An Analytical Bibliography. Meckler.
29-30
Lane, Gary, and Maria Stevens. Sylvia Plath: A Bibliography. The Scarecrow Press.
8
Textual Production Sylvia Plath
A story she wrote at twenty (in December 1952, within months of her rejection by Harvard summer school and her first serious suicide attempt), Mary Ventura and the Ninth Kingdom, was rejected by Mademoiselle...
Publishing Harold Pinter
Faber printed the two plays together this year; Samuel French issued an edition of Celebration alone in 2002.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Winsome Pinnock
WP researched the actuality behind this play by talking with women in prison in London and Jamaica. The production required three performers to take on twelve roles between them. Pinnock had intended a mixed-race cast...
Anthologization Winsome Pinnock
Can You Keep a Secret? appeared in a volume edited by Nick Drake , Joanne Reardon , and Suzy Graham-Adriani : New Connections 99: New Plays for Young People, published by Faber and Faber in 1999.
Textual Production Winsome Pinnock
It was published the same year by Faber and Faber , in a non-finalised text since the play was still in rehearsal.
Pinnock, Winsome. One Under. Faber and Faber.
prelims
Textual Production Winsome Pinnock
WP published with Faber a play entitled The Rebirth of Robert Samuels.
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Publishing George Orwell
GO completed his well-known satirical fable, Animal Farm, which was rejected for publication by Gollancz , Cape , Collins , and Faber (in the person of T. S. Eliot ).
Meyers, Jeffrey. A Reader’s Guide to George Orwell. Littlefield, Adams.
41
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Publishing George Orwell
He published the book with Gollancz after it was rejected by Cape and Faber . He chose his pseudonym from a list of names including P. S. Burton, Kenneth Miles, and H. Leis Allways. He...
Publishing Tillie Olsen
The stories were I Stand Here Ironing, Hey Sailor, What Ship?, O Yes, and the title story. Lippincott , who first published the volume, lost money on it. It was published in...

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Texts

Coward, Rosalind. The Whole Truth. Faber and Faber, 1989.
Cowie, Anne. “Organized Labour”. Nursing, Midwifery and Health Visiting since 1900, edited by Peta Allen and Moya Jolley, Faber and Faber, 1982.
Cunnington, C. Willett et al. The History of Underclothes. Faber and Faber, 1981.
Daniels, Sarah. Morning Glory. Faber and Faber, 2001.
Daniels, Sarah. “Taking Breath”. New Connections 99. New Plays for Young People, Faber and Faber, 1999, pp. 561-0.
Devlin, Anne. After Easter. Faber and Faber, 1994.
Devlin, Anne. Ourselves Alone. Faber and Faber, 1986.
Devlin, Anne. The Way-Paver. Faber and Faber, 1986.
Dickinson, Emily. The Complete Poems of Emily Dickinson. Editor Johnson, Thomas, Faber and Faber, 1970.
Drake, Nick et al. “Introduction, editorial materials”. New Connections 99. New Plays for Young People, Faber and Faber, 1999, pp. vii - xiii, 602.
Duffy, Carol Ann, editor. 1914: Poetry Remembers. Faber and Faber, 2013.
Duffy, Carol Ann et al. Grimm Tales. Faber and Faber, 1996.
Eliot, T. S. “Apology for the Countess of Pembroke”. The Use of Poetry and the Use of Criticism, Faber and Faber, pp. 37-52.
Eliot, T. S. Collected Poems 1909-1962. Faber and Faber, 1968.
Eliot, T. S., and Djuna Barnes. “Introduction”. Nightwood, Faber and Faber, 1950.
Eliot, T. S. Knowledge and Experience in the Philosophy of F.H. Bradley. Faber and Faber.
Eliot, T. S. Murder in the Cathedral. Faber and Faber, 1936.
Eliot, T. S. Notes Towards the Definition of Culture. Faber and Faber.
Eliot, T. S. Old Possum’s Book of Practical Cats. Faber and Faber.
Eliot, T. S. Old Possum’s Book of Practical Cats. Faber and Faber, 1943.
Eliot, T. S. On Poetry and Poets. Faber and Faber, 1957.
Eliot, T. S. Selected Essays, 1917-1932. Faber and Faber.
Eliot, T. S. Sweeney Agonistes. Faber and Faber.
Eliot, T. S. The Cocktail Party. Faber and Faber, 1950.
Eliot, T. S. The Confidential Clerk. Faber and Faber, 1954.