This novel met with the threat of a libel action (about which Charles Monteith
of Faber and Faber
was stoical) from a woman whom JOF
described in hyperbolic terms as having a termite-infested bed. O'Faolain...
Publishing
Julia O'Faolain
Her father, Sean O'Faolain
, had included in his Collected Stories, 1983, a piece whose title reproduces the Yeats phrase exactly: No Country for Old Men.
Lee Brackstone, who bought the manuscript of this book for Faber and Faber
, alerted its potential readership, pre-publication, to expect the masterpiece of O'Brien's career, a book which reminds us why she is...
Textual Production
Kathleen Nott
KN
published with Faber and Faber
her fourth and final novel, An Elderly Retired Man, which is narrated in the first person by its stunningly self-centred protagonist.
The first novel which IM
offered to a publisher was read by T. S. Eliot
for Faber and Faber
; he rejected it, perhaps on grounds of the wartime paper shortage.
Conradi, Peter J. Iris Murdoch. A Life. HarperCollins.
170
Textual Production
Jan Morris
JM
embarked on a long and fruitful publishing relationship with Faber and Faber
, with a book entitled Coast to Coast, about the USA.
Henig, Suzanne. “Queen of Lud: Hope Mirrlees”. Virginia Woolf Quarterly, Vol.
1
, No. 1, pp. 8-27.
8
Literary responses
Cecily Mackworth
T. S. Eliot
, an early and appreciative reader of this book, invited the author to meet him over tea at his Faber and Faber
office in Russell Square. Mackworth, however, felt intimidated by...
Publishing
Deborah Levy
This was Levy's first book to face the difficult environment for literary novels produced by the rise of Amazon
and the end of regulation for book prices. Less commercial, more cerebral fiction was no longer...
Anthologization
Bryony Lavery
BL
's More Light, a play for children of secondary-school age commissioned by the Education Department of the Royal National Theatre
, was published by Faber and Faber
in New Connections: New Plays for Young People.
PL
's second novel, A Girl in Winter, appeared, having been placed by his agent, A. P. Watt
, with Faber and Faber
. It sold 5,000 copies in the year of its publication...
Publishing
Philip Larkin
PL
's The Whitsun Weddings, his first poetry publication with Faber and Faber
, resulted from an invitation from Charles Monteith
of that company, issued years earlier after he had read Church Going in The Spectator.
Larkin, Philip. Collected Poems. Editor Thwaite, Anthony, Faber and Faber; the Marvell Press.
77
Brennan, Maeve. The Philip Larkin I Knew. Manchester University Press.
7
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Publishing
Philip Larkin
The book went through many stages and revisions before publication: the first draft had been finished in February 1944.
Motion, Andrew. Philip Larkin: A Writer’s Life. Faber and Faber.
154
A related draft and stories survive, but no complete manuscript. Larkin wrote that he was...
Publishing
Philip Larkin
PL
had already begun to produce some of the poems that were later to make him known (including Wedding Wind, written in 1946). Towards the end of 1947 he typed up for Faber and Faber
Textual Production
James Joyce
After seventeen years of writing and revising, JJ
's Finnegans Wake was published in its entirety in London by Faber and Faber
and in New York by Viking Press
.
Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press.
Parker, Alan. James Joyce: A Bibliography of His Writings, Critical Material, and Miscellanea. F. W. Faxon.
105
Timeline
No timeline events available.
Texts
Eliot, T. S. The Elder Statesman. Faber and Faber, 1959.
Eliot, T. S. The Family Reunion. Faber and Faber, 1939.
Eliot, T. S. The Idea of a Christian Society. Faber and Faber.
Eliot, T. S. The Letters of T.S. Eliot. Editor Eliot, Valerie, Faber and Faber, 1988.
Eliot, T. S. The Waste Land Drafts. Editor Eliot, Valerie, Faber and Faber, 1971.
Ellmann, Richard. Yeats: The Man and the Masks. Faber and Faber, 1961.
Empson, William. The Gathering Storm. Faber and Faber, 1940.
Farjeon, Eleanor, and Clare Leighton. Perkin the Pedlar. Faber and Faber, 1932.
Figes, Eva. B. Faber and Faber, 1972.
Figes, Eva. Little Eden. Faber and Faber, 1978.
Ham, Elizabeth. “Introduction”. Elizabeth Ham, by Herself, 1783-1820, edited by Eric Gillett, Faber and Faber, 1945, pp. 5-12.
Goodman, Lizbeth, editor. Mythic Women/Real Women. Faber and Faber, 2000.
Graves, Robert von Ranke. The White Goddess. Faber and Faber, 1948.
Greer, Germaine, editor. 101 Poems by 101 Women. Faber and Faber, 2001.
Ham, Elizabeth. Elizabeth Ham, by Herself, 1783-1820. Editor Gillett, Eric, Faber and Faber, 1945.
Hughes, Ted, and Sylvia Plath. “Introduction”. Collected Poems, Faber and Faber, pp. 13-17.
Hughes, Ted. Letters of Ted Hughes. Editor Reid, Christopher, Faber and Faber, 2007.
Huxley, Elspeth. Peter Scott: Painter and Naturalist. Faber and Faber, 1993.
Huxley, Elspeth, and Margery Perham. Race and Politics in Kenya. Faber and Faber, 1944.
Iremonger, Lucille. The Ghosts of Versailles. Faber and Faber, 1957.
James, P. D. A Certain Justice. Faber and Faber, 1997.
James, P. D. A Mind to Murder. Faber and Faber, 1963.
James, P. D. A Taste for Death. Faber and Faber, 1986.
James, P. D. An Unsuitable Job for a Woman. Faber and Faber, 1972.
James, P. D. Cover Her Face. Faber and Faber, 1962.