Royal Shakespeare Company

Connections

Connections Sort descending Author name Excerpt
Performance of text Timberlake Wertenbaker
The Royal Shakespeare Company moved its production to London in August 1989; the play had been published earlier that year.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Performance of text Pam Gems
The Royal Shakespeare Company included the play in their regional tour, after which it transferred to the Globe Theatre in London. Harvard University holds a video-recording of a performance of this play in Hebrew.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Performance of text Jackie Kay
She and Jo Shapcott read their poems (together with rising starsJay Bernard and Kayo Chingonyi ) at the Royal Shakespeare Company 's redesigned Swan Theatre at Stratford on 3 December 2010.
Uncertainty is Not a Good Dog.
The same month...
Performance of text Deborah Levy
DL 's Heresies opened at the Barbican Theatre (The Pit) in London in a production by the Royal Shakespeare Company .
“Deborah Levy”. doollee.com The Playwrights Database.
Levy
Publishing Louise Page
During the same year, 1986, a commission for LP from the Royal Shakespeare Company resulted in an anti-war play called Hawks and Doves. Ten years after the commission the play had not been produced...
Reception Aphra Behn
The late twentieth century saw a number of performances of plays by Behn. The Rover's many productions seem to have begun with the one at Colchester in Essex in 1978.
Brophy, Brigid. Baroque-’n’-Roll. Hamish Hamilton.
163
Its great success...
Reception Michelene Wandor
Time Out discerned in this sequence an astonishing density of feeling.
Michelene Wandor. http://www.mwandor.co.uk/.
Marsha Rowe wrote that in To Die Among FriendsMW had cut the past in slices and re-arranged it as a layer cake, pretty...
Textual Production Louise Page
In 1992 an educational grant from the Royal Shakespeare Company funded LP 's adaptation, for children, of Antigone by Sophocles , entitled Royal Blood Bath 3.
Eisen, Kurt. “Louise Page”. British Playwrights, 1956-1995. A Research and Production Source Book, edited by William W. Demastes, Greenwood Press, pp. 291-00.
292
Textual Production Marina Warner
MW 's W. D. Thomas Memorial Lecture given at the University of Wales , Swansea, was published the same year under the title Donkey Business; donkey work: magic and metamorphosis in contemporary opera...
Textual Production Pam Gems
PG 's next two plays, both about historic periods of violent revolutionary struggle, were not well received. La Pasionara, produced at the Newcastle Playhouse in 1985, was based on the life of Dolores Ibarruri

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