Page, Louise. Plays: 1. Methuen, 1997.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Louise Page | Golden Girls, a play by LP
about women athletes, was staged by the Royal Shakespeare Company
at their small theatre, the Other Place
. It was published in March 1985. Page, Louise. Plays: 1. Methuen, 1997. 216 Whitaker’s Books in Print. J. Whitaker and Sons, 1988–2003. (1988) |
Performance of text | Margaret Atwood | The day before International Women's Day 2007, the Canadian National Arts Centre / Centre Nationale des Arts
announced that donations from seven individual Canadian women were funding a production of MA
's stage adaptation of... |
Performance of text | Pam Gems | The Royal Shakespeare Company
first performed PG
's playQueen Christina, at their small Stratford theatre named The Other Place
. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 161 Wandor, Michelene, editor. Plays by Women: Volume Three. Methuen, 1984. 49 |
Performance of text | Pam Gems | PG
's playPiaf, produced by the Royal Shakespeare Company
, opened at The Other Place
in Stratford. Gems, Pam. Three Plays. Penguin, 1985. 9 Wandor, Michelene, editor. Plays by Women: Volume Three. Methuen, 1984. 49 Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 161 |
Publishing | Louise Page | During the same year, 1986, a commission for LP
from the Royal Shakespeare Company
resulted in an anti-war play called Hawks and Doves. Ten years after the commission the play had not been produced... |
Reception | Michelene Wandor | Time Out discerned in this sequence an astonishing density of feeling. qtd. in Michelene Wandor. http://www.mwandor.co.uk/. |
Reception | Aphra Behn | The late twentieth century saw a number of performances of plays by Behn. The Rover's many productions seem to have begun with the one at Colchester in Essex in 1978. Brophy, Brigid. Baroque-’n’-Roll. Hamish Hamilton, 1987. 163 |
Textual Production | Pam Gems | PG
's next two plays, both about historic periods of violent revolutionary struggle, were not well received. La Pasionara, produced at the Newcastle Playhouse
in 1985, was based on the life of Dolores Ibarruri |
Textual Production | Marina Warner | MW
's W. D. Thomas
Memorial Lecture given at the University of Wales
, Swansea, was published the same year under the title Donkey Business; donkey work: magic and metamorphosis in contemporary opera... |
Textual Production | Louise Page | In 1992 an educational grant from the Royal Shakespeare Company
funded LP
's adaptation, for children, of Antigone by Sophocles
, entitled Royal Blood Bath 3. Eisen, Kurt. “Louise Page”. British Playwrights, 1956-1995. A Research and Production Source Book, edited by William W. Demastes, Greenwood Press, 1996, pp. 291-00. 292 |
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