Blakey, Dorothy. The Minerva Press 1790-1820. Oxford University Press, 1939, p. 337 pp.
153
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Julia Young | A three-volume, anonymous Minerva
novel, The Family Party, 1791, has also been widely ascribed to MJY
since Dorothy Blakey
first made the attribution in 1939 from a Minerva
catalogue of 1814. Blakey, Dorothy. The Minerva Press 1790-1820. Oxford University Press, 1939, p. 337 pp. 153 |
Textual Production | Emily Frederick Clark | The title of this work changed several times during the course of composition. This book must have been the Moral Tales she mentioned to the Royal Literary Fund
in 1811 as her fifth work, then... |
Textual Production | Phebe Gibbes | This year PG
asked the Royal Literary Fund
for financial help to transcribe illegible manuscripts which she might then be able to sell. She slightly underestimated the forty years she had been writing. She said... |
Textual Production | Mary Julia Young | MJY
reported to the Royal Literary Fund
that she had selected and translated a collection of extracts from works by Voltaire
: Voltairiana, 1805, in four volumes. Batchelor, Jennie. Women’s Work: Labour, Gender, Authorship, 1750-1830. Manchester University Press, 2010. 161-2 Lloyd, Nicola. “Mary Julia Young. A Biographical and Bibliographical Study”. Romantic Textualities, No. 18, 1 June 2008– 2025. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Features | Dorothea Primrose Campbell | One of the Royal Literary Fund
's forms gives this novel the title A Zetland Tale. It is indeed a National Tale, comparable to those of Scott, Christian Isobel Johnstone
, and Sydney Morgan
. Archives of the Royal Literary Fund, 1790-1918. |
Reception | Emily Frederick Clark | From EFC
's letters to the Royal Literary Fund
it would seem that she entertained a very modest estimate of her own talents. Late in her career, for example, she calls her own works very... |
Reception | Gillian Allnutt | GA
was appointed to a two-year Royal Literary Fund
Fellowship at the University of Newcastle
. “Gillian Allnutt”. The Royal Literary Fund: Former Fellows. |
Reception | Susanna Moodie | In the summer of 1865, when the Moodies were again facing poverty, SM
finally received recognition for her work in the form of a £60 grant from the Royal Literary Fund
. Peterman, Michael. Susanna Moodie: A Life. ECW Press, 1999. 163 Gray, Charlotte. Sisters in the Wilderness: The Lives of Susanna Moodie and Catharine Parr Traill. Viking, 1999. 270-1 |
Reception | Frances Browne | Browne's applications to the Royal Literary Fund
survive in the Fund's archive (available on microfilm), and the National Library of Ireland
has two letters she wrote in 1844. The National Library of Scotland
holds several... |
Reception | Phyllis Bentley | She was proud to be the second woman ever elected to the committee of the Royal Literary Fund
. Bentley, Phyllis. "O Dreams, O Destinations". Gollancz, 1962. 258-9 |
Reception | Jane Francesca Lady Wilde | By 16 November 1888, she had also received a grant of £100 from the Royal Literary Fund
. Her son Oscar Wilde
helped her to secure both pensions. Melville, Joy. Mother of Oscar. John Murray, 1999. 222 Leighton, Angela, and Margaret Reynolds, editors. Victorian Women Poets: An Anthology. Blackwell, 1995. 292 |
Reception | Helena Wells | When applying to the Royal Literary Fund
for money, HW
told them that her work had been well received by the Monthly Review, Anti-Jacobin, British Critic, and Gentleman's Magazine: some of... |
Publishing | Amelia Bristow | Her title continues, being an Outline of the Religious and Domestic Habits of this most Interesting Nation, with explananatory notes. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 621 |
Publishing | Susanna Watts | |
Publishing | Harriet Smythies | HS
wrote a letter to the Royal Literary Fund
explaining the circumstances under which her publisher
stole and destroyed the manuscript she was writing for serialization in the London Journal. Cross, Nigel. The Common Writer. Cambridge University Press, 1985. 190 |
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