Gibbes, Phebe. “Introduction”. Hartly House, Calcutta, edited by Michael J. Franklin, Oxford University Press, p. xi - lvii.
xiv n16
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Sarah Scudgell Wilkinson | After 1812: SSW
, now a teacher, returned to her early interest in children's books, and produced, she told the Royal Literary Funda vast number of books, of which she can pretend no merit... |
Textual Production | Anne Burke | Following this highly productive year, AB
wrote several times more to beg for subsistence from the Royal Literary Fund
. Despite her still generally favourable reviews, she ceased to refer, as she had in her... |
Textual Production | Phebe Gibbes | PG
issued a third novel this same year, The Fruitless Repentance; or, The History of Miss Kitty Le Fever (reprinted in facsimile by Garland
in 1974). Gibbes, Phebe. “Introduction”. Hartly House, Calcutta, edited by Michael J. Franklin, Oxford University Press, p. xi - lvii. xiv n16 |
Textual Production | Isabella Kelly | IK
told the Royal Literary Fund
that she had written ten novels. But it seems she underestimated: in addition to the eleven mentioned below, she listed an untraced title (not listed by OCLC or The... |
Textual Production | A. Woodfin | The anonymous epistolary novel The History of Eliza Musgrove, published by June 1769, is ascribed to AW
in some sources; but Phebe Gibbes
claimed it as her own work in a letter to the... |
Textual Production | Isabella Kelly | IK
told the Royal Literary Fund
in 1832 that she had written an Epitome of General Knowledge, published by subscription by a non-London publisher, a French Grammar, and Literary Information, written for... |
Textual Production | Phebe Gibbes | PG
seems not to have claimed Jemima. A Novel, which was advertised by William Lane
of the Minerva Press
in March 1795 as by the Author of Zoraida. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 641 The near illegibility... |
Textual Production | Mary Julia Young | A three-volume, anonymous Minerva
novel, The Family Party, 1791, has also been widely ascribed to MJY
since Dorothy Blakey
first made the attribution in 1939 from a Minerva
catalogue of 1814. Blakey, Dorothy. The Minerva Press 1790-1820. Oxford University Press, p. 337 pp. 153 |
Textual Production | Phebe Gibbes | PG
told the Royal Literary Fund
later that she had written a novel of this title for the credit and emolument of another hand dec[ease]d: the Mrs Phillips in question, who according to the title... |
Textual Production | Mary Julia Young | MJY
reported to the Royal Literary Fund
that she had selected and translated a collection of extracts from works by Voltaire
: Voltairiana, 1805, in four volumes. Batchelor, Jennie. Women’s Work: Labour, Gender, Authorship, 1750-1830. Manchester University Press. 161-2 Lloyd, Nicola. “Mary Julia Young. A Biographical and Bibliographical Study”. Romantic Textualities, No. 18. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Selina Davenport | SD
told the Royal Literary Fund
that she had written novels before her marriage under the name of Miss Granville, but they have not been traced. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Phebe Gibbes | PG
told the Royal Literary Fund
this year that she had written novels, dramatic pieces, and several little periodical works. She also offered them Two Little Dramas to publish for the Fund's own benefit. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Mary Julia Young | Writing to the Royal Literary Fund
, MJY
was predictably humble and self-depreciating about her writing. She said her novels were riddled with numerous typographical errors made by their publishers, which she was powerless to... |
Textual Production | Phebe Gibbes | This year PG
asked the Royal Literary Fund
for financial help to transcribe illegible manuscripts which she might then be able to sell. She slightly underestimated the forty years she had been writing. She said... |
Textual Production | Henrietta Rouviere Mosse | To the Royal Literary Fund
she boasted the following March, both about her patronage from the marchioness and the fact that this book had brought her thirty pounds. But she still needed to ask for... |
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