Stott, Mary. Forgetting’s No Excuse. Faber and Faber.
164-74
National Portrait Gallery
Connections
| Connections | Author name Sort descending | Excerpt |
|---|---|---|
| Reception | Muriel Spark | In about 1984 the Scottish National Portrait Gallery
asked MS
to sit for her portrait for their collection, by Sandy Moffat
. Of the resulting painting MS
says: I was just a model for The... |
| Leisure and Society | Mary Stott | MS
studied singing for years, flirted with painting (as she put it), and had an enduring love-affair with gardening. Stott, Mary. Forgetting’s No Excuse. Faber and Faber. 169 |
| Leisure and Society | Noel Streatfeild | The National Portrait Gallery
holds a painting of NS
done in 1926 by Lewis Baumer
, in profile, which shows her looking cool and elegant and modern. |
| Intertextuality and Influence | Josephine Tey | Through an innovative blend of historical scholarship and detective fiction, the novel exonerates Richard III
for the murder of the little Princes in the Tower, pinning the crime on Henry VII
. JT
's... |
| Family and Intimate relationships | Iris Tree | IT
married American painter and avant-garde photographer Curtis Moffat
. Six portraits by Curtis Moffat hang in the National Portrait Gallery
, London, some of which he created in collaboration with Olivia Wyndham
. The... |
| Family and Intimate relationships | Linda Villari | The National Portrait Gallery
has an albumen print (an early photo) of Vincenzo Mazini taken in London nine months before his wedding. “Collections”. National Portrait Gallery. |
Timeline
No timeline events available.
Texts
No bibliographical results available.