Critical Review. W. Simpkin and R. Marshall.
3d ser. 5 (1805): 333
Connections | Author name Sort descending | Excerpt |
---|---|---|
Performance of text | Elizabeth Inchbald | Wives as They Were, and Maids as They Are, a comedy by EI
, opened at Covent Garden
. The title sounds like an allusion to such radical texts as Robert Bage
's Man... |
Textual Production | Elizabeth Inchbald | EI
's comedy To Marry, or Not to Marry was published, as recently performed at Covent Garden
. Critical Review. W. Simpkin and R. Marshall. 3d ser. 5 (1805): 333 |
Textual Production | Elizabeth Inchbald | EI
's The Midnight Hour, translated from Guerre ouverte, by Antoine-Jean Bourlin
(better known as Dumaniant), was published after a production at Covent Garden
. Critical Review. W. Simpkin and R. Marshall. 64 (1787): 479 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 192 |
Performance of text | Elizabeth Inchbald | EI
's Lovers' Vows, adapted from (and toned down from) Das Kind der Liebe by Kotzebue
, opened at Covent Garden
. Inchbald, who did not speak German, worked from an intermediate literal version... |
Performance of text | Elizabeth Inchbald | Another adaptation from Kotzebue
by EI
, The Wise Man of the East, was performed at Covent Garden
; before the end of the year it was published by Robinsons
. Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press. Critical Review. W. Simpkin and R. Marshall. 2d ser. 28 (1800): 69 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Inchbald | A two-act farce by EI
, Appearance is Against Them (played at Covent Garden
the previous month), was published by George Robinson
. Critical Review. W. Simpkin and R. Marshall. 60 (1785): 393 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 34 |
Publishing | Elizabeth Inchbald | Several known plays by EI
were never published. All on a Summer's Day, 1787 (about a couple ill-matched in age), and The Hue and Cry, 1791, are known only from the copies provided... |
Performance of text | Elizabeth Inchbald | Such Things Are, a comedy by EI
, opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 5: 952 |
Performance of text | Elizabeth Inchbald | EI
's five-act comedy All on a Summer's Day had its first production, at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 5: 1027 |
Family and Intimate relationships | Adelaide Kemble | Actor Charles Kemble
, father of Fanny
and AK
, took on the share of his brother John Philip Kemble
in Covent Garden Theatre
. Within a couple of years he took on the major... |
Occupation | Adelaide Kemble | AK
made her English operatic debut at Covent Garden Theatre
, London, again singing the title role in Bellini
's Norma. Brockway, Wallace, and Herbert Weinstock. The World of Opera. Methuen. 555 |
Occupation | Adelaide Kemble | AK
sang the title role in Rossini
's Semiramide at Covent Garden Theatre
in London. Brockway, Wallace, and Herbert Weinstock. The World of Opera. Methuen. 606 |
Leisure and Society | Anna Margaretta Larpent | The Paine book was Rights of Man. The kangaroo was the first ever brought to England. In the Polygraphic Exhibition Joseph Booth
was displaying mechanical reproductions of oil paintings at Schomberg House, Pall Mall... |
Publishing | Mary Latter | Rich
had accepted the play for Covent Garden
and encouraged ML
to train further as a dramatist. She here ascribes good intentions to Rich, but sharp practice to the present Managers, their Adherents, and Dependants... |
Theme or Topic Treated in Text | Mary Latter | In her prefatory essay ML
expresses little enthusiasm for the life of an author. She sees writing for bread as an extreme of slavery, Latter, Mary. The Siege of Jerusalem, by Titus Vespasian. C. Bathurst. i |
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