Royal Court Theatre

AJ later described this play as a flop d'estime. Critics found it baffling, and faulted her for not providing a stronger plot and more engaging characters. Commercially, the play was a resounding...

Michael Coveney and David Edgar counted this, with The Knack, part of a legendary canon in Sloane Square (home of the Royal Court Theatre ).

The play opened in Cambridge because the Royal Court , despite their earlier supportiveness, wanted to test the waters before staging another Jellicoe play in London. AJ credits John Osborne for persuading them to produce...

SD began writing after reading an injunction from Doris Lessing about putting one's life in order. Some fringe plays that she attended were absolutely dreadful, which made her confident that she could do better...

AJ was one of the new, post-war generation of playwrights associated with the Royal Court , who helped to revitalise theatre in Britain in the late 1950s and early 1960s. Her early plays, whose plotlessness...

Looking back at her time at the Royal Court from 1984, however, AJ commented: I was awfully blind—I'm one of the ones that's been re-educated. . . . I didn't appreciate what tremendous disadvantages I...

Its London run at the Royal Court Theatre began three weeks later. A revival which opened at the National Theatre in April 2015 was timed to coincide with the British general election.

Owners, CC 's first stage play in several years, opened in London at the Royal Court Theatre Upstairs.

HP 's next play, Ashes to Ashes, opened at the Ambassadors Theatre . The production was by the Royal Court Theatre (in exile while its buildings were renovated), and directed by the author.

After this production, AJ decided to take some time away from writing to concentrate on her two young children. In an interview in 1972, she claimed that she found it a relief to stop writing...

Objections to Sex and Violence, a play by CC , opened at the Royal Court Theatre in London.

ER 's suffrage play, Votes for Women (one of the earliest in the genre), was first performed at the Court Theatre .

CC 's play Traps (written, this time, without the collaboration of a theatre group) was first performed at the Royal Court Theatre Upstairs in London.

GS 's realist drama Rutherford and Son was first produced at the Court Theatre in London, where it had four matinée performances.

CC 's critically acclaimed feminist drama Top Girls premièred at the Royal Court Theatre .