Women’s Writing in the British Isles from the Beginnings to the Present
Sappho
-
Standard Name: Sappho
Birth Name: Sappho
Used Form: Sapho
Sappho
, the female poet who stands at the head of the lyric tradition in Europe, has been a major figure of identification, of desire, of influence, of adulation, and of opprobrium in British women's writing, though little remains of her texts. All of her estimated 12,000 lines of verse has been lost except a handful of complete poems and many fragments, either quotations of her work by other writers, or scraps deciphered from papyri used to wrap mummies in ancient Egypt. This mutilated body of work amounts to somewhere around seven hundred intelligible lines.
LEL became strongly associated with a highly gendered construction of female poetic vocation. As Virginia Blain
has argued, she became (with Hemans
, and following their deaths on the cusp of the era) one progenitor...
Reception
Charlotte Lennox
The Gentleman's Magazine published two poems about this volume, one in June 1749 and one in November 1750. One calls the author Britain's Sappho
.
Gentleman’s Magazine. Various publishers.
19: 278; 20: 518
With the second piece the GM...
Reception
Ruth Pitter
During her lifetime RP
was deeply appreciated by some readers. C. S. Lewis
scatters through his letters such remarks as Whenever I re-read your poems, I blame myself for not re-reading them oftener.
King, Don W. “The Anatomy of a Friendship: the correspondence of Ruth Pitter and C. S. Lewis, 1946-1962: Mythlore, Summer 2003”. Findarticles.
AA
arrived at Oxford for the conferring of a D.Litt. degree (at the instigation in part of Isaiah Berlin
); at the ceremony she was called the the Russian Sappho.
Feinstein, Elaine. Anna of all the Russias: The Life of Anna Akhmatova. Weidenfeld and Nicolson.
272
Haight, Amanda. Anna Akhmatova : A Poetic Pilgrimage. Oxford University Press.
189
Residence
Edna St Vincent Millay
It was in urgent need of renovations which proved costly and exhausting. In time order was imposed: a bust of Sappho
was set up, Millay's extensive book collection was shelved, and her even more extensive...
Textual Features
Rosamund Marriott Watson
Her introduction demonstrates a good knowledge of ancient Greek poetry and its publication history. In addition to selections by Plato
and Theocritus
, the book includes single poems by Sappho
and Erinna
.
Watson, Rosamund Marriott, editor. Selections from the Greek Anthology. W. Scott.
The Woman-Hater again features Lady Smatter. This time she drops nearly five times as many authors' names as in The Witlings; only one, Sappho
, is that of a woman.
Textual Features
Mary Robinson
MR
's preface quotes that of Charlotte Smith
to her Elegiac Sonnets.
Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64.
45
She presents her own work as one of scholarship, explaining that by legitimate in her title she means the sonnet in...
Textual Features
Jeanette Winterson
The novel's three apparently unconnected characters are breast surgeon Handel (erstwhile boy chorister, castrato, and Catholic priest; not the same as yet reminiscent of George Frederick Handel
), Picasso (a young woman whose family opposes...
Textual Features
L. E. L.
LEL's poetic persona in her title poem is deeply indebted to Germaine de Staël
's highly influential Corinne (1807), which depicts the contemporary woman artist as a spontaneous performer of verse to her own musical...
Textual Features
Ann Yearsley
In the added lines AY
modifies her original opinion that true friendship is impossible if the friends are not equals in rank. In the last of these poems (a complex discussion of the issue of...
Textual Features
Natalie Clifford Barney
In L'amour défenduNCB
defends the proposition that only love is important, not the sex to whom it is directed.
Barney, Natalie Clifford, and Karla Jay. A Perilous Advantage: The Best of Natalie Clifford Barney. Translator Anna Livia, New Victoria Publishers.
85
She argues that every person possesses both masculine and feminine principles: We should not...
Textual Features
L. E. L.
However, LEL's version of the narratives of her female precursors presents a complex layering of voices framed by that of her Florentine improvisatrice. Even though the speaker has poured [her] full and burning heart /...
Textual Features
Elizabeth Ogilvy Benger
EOB
writes in terms of a women's tradition: for instance, she praises Barbauld
for praising Elizabeth Rowe
. She makes confident judgements and attributions (she is sure that Lady Pakington
is the real author of...
