Blamire, Susanna, and Catherine Gilpin. Songs and Poems. Editor Coward, George, George Routledge.
35-6
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Susanna Blamire | Gilpin/Coward (who provided a good deal of biographical information and other commentary) argued that SB
had the most original and most reflective mind that Cumberland has produced, apart from William Wordsworth
. Blamire, Susanna, and Catherine Gilpin. Songs and Poems. Editor Coward, George, George Routledge. 35-6 |
Textual Production | Margaret Fuller | Supporting herself while in Europe by working as a foreign correspondent (the first woman to do so), Marshall, Megan. “Let Them Be Sea-Captains”. London Review of Books, Vol. 29 , No. 22, pp. 16-18. 16 |
Textual Production | Sara Maitland | SM
edited Very Heaven: Looking Back at the 1960s, a collection of essays on women in this radical decade whose title draws on William Wordsworth
's memory of being young and idealistic at the... |
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
Textual Production | Agatha Christie | AC
published, as Agatha Christie Mallowan, a collection of travel reminiscences, Come, Tell Me How You Live: the title (quoted from William Wordsworth
questioning the leech-gatherer) puns on tell, the Arabic word... |
Textual Features | Valentine Ackland | Warner and Ackland point out in a Note to the Reader, which is a kind of manifesto, that the text is not a collaboration, but rather a joint collection of their poetry. They explain... |
Textual Features | Carol Ann Duffy | Critic Deryn Rees-Jones
discerns widely varied influences on CAD
's work: mainstream English poets like Wordsworth
, Robert Browning
, T. S. Eliot
, Auden
, Dylan Thomas
, Larkin
, and Ted Hughes
... |
Textual Features | Freya Stark | Despite the generality of her introduction, Stark relates her particular experiences in Aden, Egypt, Syria, Palestine, Transjordan, and Iraq. She depicts the Arab character through detailed descriptions and through... |
Textual Features | Rosamund Marriott Watson | In addition to reviews, RMW
contributed sixteen signed poems, including one entitled The Lost Leader, which was published one week after his death in tribute to the poet William Ernest Henley
who had died... |
Textual Features | Mary Bryan | She wrote him long letters, discussing his work and opinions as well as her own, in an elaborately parenthetical and breathless style. The first extant letter begins, Will you pity—I have said—or will you not... |
Textual Features | Patricia Beer | Many of the poems focus on family and community history, others on death or on literary subjects. Wordsworth celebrates the poet to whom the world stood for nothing else, but really was. Beer, Patricia. Collected Poems. Carcanet. 25 |
Textual Features | Marghanita Laski | She insists that even Jane Austen
. . . could write letters of a bitchiness and coarseness not inferrable from the impeccable sense of human values in her books. Laski, Marghanita. “To the Editor: ’George Eliot and Her World’”. Times Literary Supplement, No. 3725, p. 869. 869 |
Textual Features | Patricia Beer | It incorporated fifty new poems written since her collected volume. Among them, miscellaneous pieces succeed to a sequence of twelve sonnets entitled Wessex Calendar and a set of modern imagist verses entitled Observations. The... |
Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
Textual Features | Emma Caroline Wood | The volume included selections from Byron
, George Eliot
, Samuel Taylor Coleridge
, Christina Rossetti
, Sir Walter Scott
, Alfred Lord Tennyson
, Elizabeth Barrett Browning
and William Wordsworth
. |
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