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Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Eliza Fletcher | Joanna Baillie
(a well qualified judge) thought few people have so many friends as EF
, and that they all warmly esteemed as well as loving her. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 2: 699 |
Friends, Associates | Julia Wedgwood | JW
visited Harriet Martineau
at her home, The Knoll, in Ambleside. They paid a call on Wordsworth
, whom Julia found conceited and disagreeable. Wedgwood, Barbara, and Hensleigh Wedgwood. The Wedgwood Circle, 1730-1897: Four Generations of a Family and Their Friends. Studio Vista, 1980. 254 Wedgwood, Barbara, and Hensleigh Wedgwood. The Wedgwood Circle, 1730-1897: Four Generations of a Family and Their Friends. Studio Vista, 1980. 253-4 |
Health | Mary Lamb | One of Mary Lamb
's bouts of madness seems to have been brought on by agitation about the break between Coleridge
and theWordsworths
. Moorman, Mary. William Wordsworth: A Biography. Clarendon Press, 1957–1965, 2 vols. 2: 195-6, 195n4 Burton, Sarah. A Double Life: A Biography of Charles and Mary Lamb. Viking, 2003. 263 |
Instructor | Dorothy Wordsworth | |
Intertextuality and Influence | Antonia Fraser | The title, which comes from a sonnet by William Wordsworth
, seems to relate less to its context there than to the general irony of the presumed quietness of nuns, who in this story have... |
Intertextuality and Influence | Anne Thackeray Ritchie | Again, ATR
's stay at Chateau Bréquerecque, Boulogne, in 1854 provided the basis for the novel's setting. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 28 |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Rumer Godden | A Fugue in Time has three epigraphs: a description of the simultaneous, independent melodies present in Bach
's fugues; eighteen lines from T. S. Eliot
's still fairly recent East Coker (from Home is where... |
Intertextuality and Influence | Elizabeth Melvill | Comments on Ane Godlie Dreame, though sparse, have been persistent. John Livingstone
recorded that she was famous for her dream anent her spirituall condition. qtd. in Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol. 68 , No. 1, May 2017, pp. 38-77. 40 |
Intertextuality and Influence | Fleur Adcock | Below Loughrigg is largely a localised collection, haunted by the presence of Wordsworth
. |
Intertextuality and Influence | Elizabeth Gunning | This interesting novel is a kind of rake's progress that seems to speak against the system of primogeniture.The hero (and first-person narrator) is that familiar figure, an upper-class child spoiled by his parents. He had... |
Intertextuality and Influence | Anna Letitia Barbauld | William Enfield
quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy
. Her volume... |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891. 13 |
Intertextuality and Influence | Mary Elizabeth Coleridge | To the Writer of a Poem on a Bridge speaks to Wordsworth
's Upon Westminster Bridge. Chapman, Alison. “Mary Elizabeth Coleridge, Literary Influence and Technologies of the Uncanny”. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century, edited by Ruth Robbins and Julian Wolfreys, Palgrave, 2000, pp. 109-28. 126-7 And watched the waters... |
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