Athenæum. J. Lection.
744 (1842):110
Connections | Author name Sort descending | Excerpt |
---|---|---|
Occupation | Mary More | A couple with the same names as MM
and her husband Francis were taking in apprentices in painting during the later seventeenth century, but Ezell thinks these were probably different people. Horace Walpole
knew of... |
Textual Features | Georgina Munro | A debauched earl is the narrator of this novel, which, typically for the genre, is peopled by characters from the gentry and the upper classes. Athenæum. J. Lection. 744 (1842):110 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Publishing | Eliza Parsons | She gave her name as Mrs. Parsons on the title-page and signed the dedication with both her names. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 512 |
Literary responses | Teresia Constantia Phillips | The Thais of the title was an ancient courtesan. Historian Kathleen Wilson
says that in JamaicaTCP
acquired the nickname of The Black Widow in allusion to her many marriages and her supposedly destructive effect... |
Travel | Ann Radcliffe | Within a month or so they were off again, to the English Lake District, visiting their relations in the north on the way (AR
's parents were now settled in Chesterfield). This... |
Textual Features | Ann Radcliffe | It is set, as the title implies, in the Highlands of Scotland. The hero, Osbert, is a Scots peasant who proves to be of noble birth. The novel stands squarely in the gothic tradition... |
Textual Features | Ann Radcliffe | Again AR
's influences are Walpole
and Reeve
. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 58-9 |
Intertextuality and Influence | Clara Reeve | Her publisher, Dilly
, paid her £10 for the copyright. Trainer, James, and Clara Reeve. “Introduction”. The Old English Baron, Oxford University Press, 1977. xii |
Intertextuality and Influence | Clara Reeve | The story is set in late feudal times, and the action carried by male characters, while women are insignificant. Nevertheless several of its themes, like unjust exclusion from succession or inheritance, lend themselves readily to... |
Literary responses | Clara Reeve | This time a review (again dealing in imagination with a man) quoted from the preface, and pronounced: This is no common novel—it may, in some respects, claim a place upon the same shelf with The... |
Family and Intimate relationships | Mary Robinson | MR
's affairs with the prince and with Fox overlapped with the beginning of what turned out to be her most enduring relationship: with Banastre Tarleton
, an army colonel and a pitiless hero in... |
Textual Production | Mary Shelley | During this year MS
helped her husband arrange the scenes in his incest-drama, The Cenci. Purinton, Marjean D. “Polysexualities and Romantic Generations in Mary Shelleys Mythological Dramas Midas and ProserpineWomens Writing, Vol. 6 , No. 3, 1999, pp. 385-11. 388 |
Textual Production | Charlotte Smith | It was small but handsome. Thomas Stothard
did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children... |
Leisure and Society | Agnes Strickland | AS
in time became something of a social celebrity as a result of various factors: the popularity of her published works, their royal and romantic subject-matter, and the reclusiveness of her elder sister, who left... |
Intertextuality and Influence | Josephine Tey | Shortly before her death, JT
published her best-known detective novel, The Daughter of Time, which successfully popularised revisionist theories about Richard III
. The title alludes to |
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