Duquette, Natasha Aleksiuk. Veiled Intent: Dissenting Women’s Approach to Biblical Interpretation. Pickwick Publications.
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Connections Sort ascending | Author name | Excerpt |
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Textual Production | Helen Maria Williams | |
Textual Production | Kathleen Raine | KR
published the first book of her three-volume autobiography, Farewell Happy Fields: Memories of Childhood. The first three words of the title are spoken by Milton
's Satan after he is cast out of... |
Textual Production | Lady Eleanor Butler | Sarah Ponsonby bequeathed the journals to Caroline Hamilton
, and Harriet Pigott
therefore supposed that they were written by Ponsonby
. Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, p. vii - viii; various pages. vii |
Textual Production | Antonia Fraser | In AF
's thriller Cool Repentance her detective, Jemima Shore, owed her solution of the mystery to her ability to recognise a line from Milton
's Comus. Whitaker’s Books in Print. J. Whitaker and Sons. (1988) “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 276 |
Textual Production | Evelyn Underhill | In a letter she wrote in December 1892, on the eve of her seventeenth birthday, she assesses the religious and other opinions she held during a period of her life that was about to close... |
Textual Features | Kathleen Raine | |
Textual Features | Samuel Johnson | This was not the first dictionary of English, but its predecessors had remained more or less close to the model of a word-list, omitting common words or any attempt to distinguish one idiomatic usage from... |
Textual Features | Sydney Owenson, Lady Morgan | In the society that Morgan depicts, the Irish Catholic gentry are mostly absent, scattered in European exile. The peasantry, dirt-poor but generous-hearted, include Tim O'Leary, schoolmaster of a hedge school, scholar and expert in Irish... |
Textual Features | Elizabeth Smith | She then recorded how she look[ed] back on my past life with shame and confusion, when I recollect the many advantages I have had, and the bad use I have made of them. Smith, Elizabeth. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell. 85 |
Textual Features | Sydney Owenson, Lady Morgan | Volume three opens with a mock trial: the Crawleys hope to get innocent men (including the hero) condemned for insurrection; the English or Anglicised Irish aristocrats are flightily amused at performing a trial scene. The... |
Textual Features | Mary Whateley Darwall | |
Textual Features | Lucy Hutton | LH
draws on a wide range of sources to buttress her argument. These include the results of her reading—Milton
, and the story of the Greek Atalanta (whose male inventors, she says, were not... |
Textual Features | Judith Cowper Madan | |
Textual Features | Caroline Norton | Opening in Milton
ic tones of high seriousness but in Spenser
ian stanzas, the poem offers up childhood as the last echo of Eden spared to humanity after the fall. The sustained trope is that... |
Textual Features | Michelene Wandor | Her range of reference is wide: Milton
, Cromwell
, Virginia Woolf
, Joan Baez
, fairy tales, the Bible, and settings (as her publisher puts it) from Jerusalem to Hollywood, cafes to graveyards. |
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