qtd. in
Foster, Edward Halsey. Catharine Maria Sedgwick. Twayne, 1974.
137
Connections Sort descending | Author name | Excerpt |
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Leisure and Society | Isa Blagden | IB
was fond of society life, had a wide circle of friends, and was noted for her hospitality. Her home at the Villa Brichieri, with its terraced garden overlooking Florence and the Arno, was... |
Literary responses | Fanny Fern | Besides being a best seller, Ruth Hall was well received by some critics, although Fern's gender frequently seemed central to their judgments. The Athenæum, noting the work's autobiographical elements, suggested that these could be... |
Literary responses | Louisa May Alcott | A recent surge of interest has produced (as well as John Matteson
's and Eve LaPlante
's studies of LAM and her father and her mother) a monograph by Harriet Reisin
, 2009; a study... |
Literary responses | Catharine Maria Sedgwick | CMS
received considerable critical and popular acclaim during her lifetime: Nathaniel Hawthorne
described her as our most truthful novelist, qtd. in Foster, Edward Halsey. Catharine Maria Sedgwick. Twayne, 1974. 137 |
Literary responses | Sarah Orne Jewett | Willa Cather
, in her preface to a collection of SOJ
's Best Stories (1925), reflected a common critical perception in suggesting that Jewett would go down in literary history as a regional writer: the... |
Literary responses | Fanny Aikin Kortright | Hawthorne
said that he found the heroine noble. qtd. in Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Occupation | Margaret Fuller | In the Conversations, Fuller covered topics including education, ethics, poetry, and the Classics, typically beginning with a lecture before a group discussion. Members paid for their attendance, and MF
was able to support herself and... |
Occupation | Leonora Carrington | LC
joined the Eburne, Jonathan P., and Catriona McAra. “Introduction: Leonora Carrington and the international avant-garde”. Leonora Carrington and the international avant-garde, Manchester University Press, 2017, pp. 1-16. 4 |
Occupation | Fanny Kemble | She much preferred reading to full-scale theatrical productions: The happiness of reading Shakespeare's heavenly imaginations is so far beyond all the excitement of acting them. qtd. in Clinton, Catherine. Fanny Kemble’s Civil Wars. Simon and Schuster, 2000. 145 |
Publishing | Mary Elizabeth Coleridge | Between 1900 and 1907 MEC
published ten poems in periodicals such as the Spectator. She contributed literary reviews to the Guardian, the Monthly Review, and (after 1902) the Times Literary Supplement... |
Publishing | Fanny Aikin Kortright | FAK
, under the pseudonym Berkeley Aikin, published a novel entitled The Old, Old Story, Love; she sent a presentation copy to Nathaniel Hawthorne
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Reception | Ethel Lilian Voynich | The Gadfly has been compared to Nathaniel Hawthorne
's The Scarlet Letter, 1850, for its picture of theocratic oppression, and to Emma, Baroness Orczy
's The Scarlet Pimpernel, 1905, as adventure writing. Gray, Anne, and Pam Blevins. The World of Women in Classical Music. WordWorld Publications, 2007, pp. 876-7. 877 |
Reception | Harriet Beecher Stowe | The Athenæum said that in light of this novel, Mrs. Stowe is a mere child when compared with her countrymanNathaniel Hawthorne
. Athenæum. J. Lection. 1803 (1862): 660 |
Reception | Fanny Aikin Kortright | Geraldine Jewsbury
's review in the Athenæum was merciless (although she guessed the gender of the author). She called the novel an eminently vulgar book, written apparently with great ease and satisfaction to herself. Athenæum. J. Lection. 1647 (1859): 675 |
Textual Features | Rebecca Harding Davis | She achieves this in Bits of Gossip in a series of scattered remembrances of my own generation which included vivid portraits of some of the most prominent men and women of the American nineteenth century... |
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