Conradi, Peter J. “A Literary Witness to Good and Evil”. Guardian Weekly, Guardian Publications, p. 24.
24
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth B. Lester | |
Intertextuality and Influence | Elizabeth Thomas | |
Intertextuality and Influence | Ella Hepworth Dixon | EHD
took the title for the collection (and for the first story) from a line in Shakespeare
's Henry IV: Were it good / To set the exact wealth of all our states /... |
Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
Intertextuality and Influence | Claire Luckham | The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons
instructs her niece on playing... |
Intertextuality and Influence | Iris Murdoch | This time the novel's hidden template is Shakespeare
's The Tempest; IM
also made use of her abortive engagement in 1945 to David Hicks
. Conradi, Peter J. “A Literary Witness to Good and Evil”. Guardian Weekly, Guardian Publications, p. 24. 24 Conradi, Peter J. Iris Murdoch. A Life. HarperCollins. 229 |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Barbara Hofland | The title-page (like several earlier ones of BH
) quotes Shakespeare
. The novel opens in 1726, with Catherine the first
holding court in Russia after Peter the Great
's death. She had come to... |
Intertextuality and Influence | Anne Stevenson | AS
says she began to write verse when I was introduced to Shakespeare
and the English Romantics as a child, Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press. 121 |
Intertextuality and Influence | U. A. Fanthorpe | The title is ironical, the houses concerned being damaged in the blitz, or such famous fictional dwellings as Ibsen
's Doll's House and Dunsinane Castle in Shakespeare
's Macbeth. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 89 |
Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Intertextuality and Influence | Ruth Padel | RP
takes the journey as the most central of all poetic images. The first part of her book is a guide to reading poetry, divided under headings of which many include the words journey,... |
Intertextuality and Influence | Naomi Jacob | The book is headed by a quotation from As You Like ItWilliam Shakespeare
: Cupid hath clapped him on the shoulder. Jacob, Naomi. The Man who Found Himself. Robert Hale. prelims |
No timeline events available.
No bibliographical results available.