Clarke, Mary Cowden. My Long Life. Dodd, Mead.
131
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Cowden Clarke | MCC
finished work on her book The Complete Concordance to Shakspere on this day, her mother's birthday. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 131 |
Textual Production | Charlotte Stopes | CS
collected another volume of her articles to publish as Shakespeare
's Environment. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 672 (3 December 1914): 536 |
Textual Production | Eliza Parsons | Several sources, both early nineteenth-century and late twentieth-century, attribute this novel to Mrs [Elizabeth] Meeke
, even though the publisher, place of publication, and title-page mention of previous works all firmly tie it to EP |
Textual Production | Ethel Savi | ES
published her first novel, The Reproof of Chance (whose title comes from a speech by Nestor in Shakespeare
's Troilus and Cressida). British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Savi, Ethel. My Own Story. Hutchinson. 163 |
Textual Production | Sarah Williams | The book was published by Strahan and Co.
, with a dedication by SW
to her parents: To R. and L. W., Mother on Earth and Father in Heaven These With Loving Thanks for all... |
Textual Production | Antonia Fraser | For the Jemima Shore mystery Political DeathAF
supplied a submerged text in Shakespeare
's Twelfth Night, which is being produced as part of the action of the novel. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. (14 October 1994): 37 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 276 |
Textual Production | Pamela Hansford Johnson | PHJ
issued the first novel of a trilogy which it took her until 1949 to complete: Too Dear for My Possessing, titled from a Shakespearean
sonnet. Lindblad, Ishrat. Pamela Hansford Johnson. Twayne. 193 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Anna Steele | AS
entitled her third novel Broken Toys, and dedicated it to her brother Charles Page Wood
, with a quotation about friendship from Shakespeare
's The Merchant of Venice. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Steele, Anna. Broken Toys. Chapman and Hall. title-page, prelims |
Textual Production | Marjorie Bowen | That same year she wrote an introduction to Percy Allen
's Plays of Shakespeare
& Chapman
in Relation to French History. In 1934 she selected and published the short-story collection More Great Tales of... |
Textual Production | Ngaio Marsh | NM
's final detective novel was posthumously published. The title, Light Thickens, is quoted from a foreboding speech in Shakespeare
's Macbeth and the plot revolves around a production of that play, which is... |
Textual Production | Charlotte Stopes | CS
published Shakespeare
's Industry. |
Textual Production | Brigid Brophy | |
Textual Production | Marghanita Laski | |
Textual Production | Dorothy L. Sayers | DLS
's third Harriet Vane detective novel, Gaudy Night, was published; its unusual combination of feminism and romance has made it probably her best-known book. The title is a clever double allusion. Gaudy night... |
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