Connections
Connections Sort descending | Author name | Excerpt |
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Textual Production | Lucy Walford | In Recollections of a Scottish Novelist, LW records her early love of literature. The books she read as a child, especially at the age of seven—including Charlotte Yonge's The Little Duke, works... |
Textual Production | Gertrude Stein | Carl Van Vechten edited and selected the texts to provide a sample of the various styles and periods of GS's writings. He puts her in the same category as Joyce, Eliot, and... |
Textual Production | E. Arnot Robertson | EAR published Summer's Lease, a novel whose epigraph comes from the Shakespeare sonnet (Shall I compare thee to a summer's day?) which contains the words of its title. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Thomas Hardy | TH's second published novel, Under the Greenwood Tree, as the author of Desperate Remedies, was in a different style: a love-story whose village setting is pastorally depicted, as the title from Shakespeare suggests. Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 226 |
Textual Production | Ethel Wilson | |
Textual Production | Pamela Hansford Johnson | PHJ issued the first novel of a trilogy which it took her until 1949 to complete: Too Dear for My Possessing, titled from a Shakespearean sonnet. Lindblad, Ishrat. Pamela Hansford Johnson. Twayne, 1982. 193 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Agatha Christie | AC published Absent in the Spring, another novel under the pseudonym Mary Westmacott, which she had written within three days in July 1943. The title comes from a sonnet by Shakespeare Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 77. Gale Research, 1989. 69 |
Textual Production | Pamela Frankau | She wrote it at the age of seventeen, on suburban trains while commuting between her Windsor home and her office job in London. She thought her heroine resembled Shakespeare's famously irresolute hero, and... |
Textual Production | Charlotte Stopes | CS published Shakespeare's Family, which is largely a record of the poet's ancestors and descendants. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Mary Cowden Clarke | MCC and her husband finished work on their annotated Shakespeare; two days later they began on The Shakespeare Key. Clarke, Mary Cowden. My Long Life. Dodd, Mead, 1896. 160 |
Textual Production | Helen Waddell | HW provided an introduction for William Forbes Marshall's Ballads and Verses from Tyrone, published by the Talbot Press of Dublin in 1929, and an Appreciation for George Saintsbury's Shakespeare, 1934. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Marghanita Laski | |
Textual Production | Flora Annie Steel | FAS wrote an adaptation of Shakespeare's A Midsummer Night's Dream (or more probably of part of it) to be acted by her younger grandson and the young Henry John. Her biographer Violet Powell... |
Textual Production | Margiad Evans | ME's journals, kept from her youth onwards, often served to write what I want to get rid of. Lloyd-Morgan, Ceridwen. Margiad Evans. Seren, 1998. 54 |
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