Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Regina Maria Roche | RMR
published through the Minerva Press
another novel, Nocturnal Visit, A Tale; Shakespeare
is quoted on the title-page. Roche, Regina Maria. Nocturnal Visit, A Tale. Minerva Press, 1800, 4 vols. title-page |
Textual Production | Louise Page | LP
's Like to Live, also 1991, is set during the invisible years which Hermione, the middle-aged, falsely accused queen of Shakespeare
's The Winter's Tale, spends hidden and believed dead. Like to... |
Textual Production | Edna St Vincent Millay | At fifteen, in spring 1907, Vincent Millay began keeping a diary which she entitled Rosemary (in reference to memory, implicitly to Ophelia's words in Shakespeare
's Hamlet: There's rosemary, that's for remembrance; pray you... |
Textual Production | Margaret Atwood | Awad, Mona. “Art to enchant”. The Globe and Mail, 15 Oct. 2016, p. R11. |
Textual Production | Pamela Hansford Johnson | PHJ
issued the first novel of a trilogy which it took her until 1949 to complete: Too Dear for My Possessing, titled from a Shakespearean
sonnet. Lindblad, Ishrat. Pamela Hansford Johnson. Twayne, 1982. 193 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Agatha Christie | AC
published Absent in the Spring, another novel under the pseudonym Mary Westmacott, which she had written within three days in July 1943. The title comes from a sonnet by Shakespeare Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 77. Gale Research, 1989. 69 |
Textual Production | Pamela Frankau | She wrote it at the age of seventeen, on suburban trains while commuting between her Windsor home and her office job in London. She thought her heroine resembled Shakespeare
's famously irresolute hero, and... |
Textual Production | Naomi Jacob | NJ
published a novel entitled Barren Metal (a title taken from a speech of Antonio in Shakespeare
's The Merchant of Venice). TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. (21 March 1936): 242 Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Mary Cowden Clarke | MCC
and her husband
began work on a commission from Cassell and Co.
for an annotated edition of Shakespeare
. Clarke, Mary Cowden. My Long Life. Dodd, Mead, 1896. 160 |
Textual Production | Marina Warner | MW
published her retelling of Shakespeare
's play The Tempest: a historical novel, Indigo; or, Mapping the Waters. Moseley, Merritt, editor. Dictionary of Literary Biography 194. Gale Research, 1998. 194: 286-7 |
Textual Production | Ruth Padel | In Your Life as a WaveRP
, invited to respond to Shakespeare
's sonnets, built on Like as the waves make towards the pebbled shore in two sections based on the successive movement: incoming... |
Textual Production | Thomas Hardy | TH
's second published novel, Under the Greenwood Tree, as the author of Desperate Remedies, was in a different style: a love-story whose village setting is pastorally depicted, as the title from Shakespeare
suggests. Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 226 |
Textual Production | Anne Ridler | Anne Bradby (later AR
) produced, on commission from Oxford University Press
, her first anthology: a World's Classics selection of Shakespeare
criticism since the end of the First World War. Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp. 96 |
Textual Production | Hannah Lynch | The English print-run of the Echegaray translation was 400 copies. Lynch's solid, 30-page introduction, in part reprinted from the Contemporary Review, makes no attempt at boosting her subject. She compares Echegaray
in his various... |
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