Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Candia McWilliam | All the characters are fond of aphorisms (from Anne we get Bitterness is wanton, like showing the hangman the gauge of your neck . . . . It also comes easily to lazy sentimentalists McWilliam, Candia. A Case of Knives. Bloomsbury, 1987. 187 |
Intertextuality and Influence | Elizabeth Thomas | |
Intertextuality and Influence | Mrs Showes | But as in her previous novel, MS
turns aside from a happy ending which is already within her reach. Ulrich has an affair with Viria, who gives him for Agnes what she claims is a... |
Intertextuality and Influence | Anne Plumptre | |
Intertextuality and Influence | Jane Harvey | The title-page quotes Shakespeare
. This novel follows, with serious concern as well as satirical humour, the career choices made by the sons of the Cleavland family. Their father favours science and agriculture, which he... |
Intertextuality and Influence | Dorothea Primrose Campbell | |
Intertextuality and Influence | Margaret Sandbach | Again set in Florence, this play tells the tragic story of orphaned siblings, Laura Amidei and her older brother Count Amidei. They are joined together by an intense bond, felt most strongly by the... |
Intertextuality and Influence | Eliza Parsons | Each of the three volumes has a different quotation on its title-page: the last is Shakespeare
's defiant Freeze, freeze thou bitter sky, maintaining that harsh weather is mild compared with human injustice. Parsons, Eliza. An Old Friend with a New Face. T. N. Longman, 1797, 3 vols. 3: title-page |
Intertextuality and Influence | Anna Maria Mackenzie | The 1809 title-page quotes Shakespeare
's The Merchant of Venice. In 1811 this place is taken by lines from Henry VI Part III, in which the future Richard III avows his villainy and... |
Intertextuality and Influence | Eglinton Wallace | The Address explains how EW
set out with the lofty and pleasurable intention of aiding the poor in the Isle of Thanet, how the playhouse was all set to open to a capacity audience... |
Intertextuality and Influence | Antonia Fraser | Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the... |
Intertextuality and Influence | Mary Stewart | The title comes from Shakespeare
's Prospero, in the speech in which he abjures his magic and breaks his staff. It plays on a traditional identification of the island of Corfu with the mysterious island... |
Intertextuality and Influence | Maria Theresa Kemble | Its plot is of the same type as that of Shakespeare
's The Taming of the Shrew.William Shakespeare |
Intertextuality and Influence | Maureen Duffy | She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother. Duffy, Maureen. That’s How It Was. Virago, 1983. xi |
Leisure and Society | Mary Frere | Though not fond of other forms of exercise, she became a fearless rider and an excellent whip Frere, Georgina, and Herbert Loewe. “Biographical Notice”. Catalogue of the Printed Books and of the Semitic and Jewish MSS. in the Mary Frere Hebrew Library at Girton College, Cambridge, Girton College, 1916, p. v - xii. vi Frere, Georgina, and Herbert Loewe. “Biographical Notice”. Catalogue of the Printed Books and of the Semitic and Jewish MSS. in the Mary Frere Hebrew Library at Girton College, Cambridge, Girton College, 1916, p. v - xii. vi |
Timeline
No timeline events available.
Texts
No bibliographical results available.