Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Intertextuality and Influence | Virginia Woolf | This is the first of Woolf's a London novels, and is set unambiguously in the recent past, in the period of the suffrage struggle before the first world war. It is a story of courtship... |
Intertextuality and Influence | Elizabeth B. Lester | |
Intertextuality and Influence | Elizabeth Sophia Tomlins | The title-page quotes Shakespeare
on the divinity that shapes our ends. EST
's preface (dated at Chaldon on 25 June) Tomlins, Elizabeth Sophia. Rosalind de Tracey. Charles Dilly, 1798, 3 vols. 1: vi |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | B. M. Croker | |
Intertextuality and Influence | Roma White | In fact the book deals with gardening in town as well as in the suburbs. The cloth cover is attractively designed with a vignette of London above the title and a country scene below. The... |
Intertextuality and Influence | Claire Luckham | The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons
instructs her niece on playing... |
Intertextuality and Influence | Iris Murdoch | This time the novel's hidden template is Shakespeare
's The Tempest; IM
also made use of her abortive engagement in 1945 to David Hicks
. Conradi, Peter J. “A Literary Witness to Good and Evil”. Guardian Weekly, Guardian Publications, 21 Feb. 1999, p. 24. 24 Conradi, Peter J. Iris Murdoch. A Life. HarperCollins, 2002. 229 |
Intertextuality and Influence | Janet Schaw | Her editors call her a forerunner of Frances Trollope
in her American critique, though her attitudes are shaped by reactionary political views in a way that Trollope's are not. Schaw, Janet. Journal of a Lady of Quality. Editors Andrews, Evangeline Walker and Charles McLean Andrews, Third Edition, Yale University Press, 1939. 160 note |
Intertextuality and Influence | Sarah Pearson | The family attends the funeral of Mirabeau
; Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols. 2: 89 Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols. 3: 98 |
Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes Shakespeare
, which in the context of BH
's epigraphs to other tales titled from virtues gives him almost scriptural status. This time the heroine is not reflective from the beginning, but... |
Intertextuality and Influence | Mary Augusta Ward | It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983. 86 |
Intertextuality and Influence | Helen Oyeyemi | Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of... |
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