Smith, Ali. “Just”. Shell Connections 2005: New Plays for Young People, Faber and Faber, pp. 275-24.
317
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Features | Margaret Kennedy | Here Kennedy argues that entertainment and enjoyment are valuable aims for the novel. She maintains that the novelist is, in essence, a storyteller, but the storyteller-novelist has been excluded by a literary society that devalues... |
Textual Features | Ali Smith | Although certainly located in the Brechtian
tradition of epic theatre, with its political resonances and self-referentiality, it is likewise identifiable as theatre of the absurd (as AS
points out), Smith, Ali. “Just”. Shell Connections 2005: New Plays for Young People, Faber and Faber, pp. 275-24. 317 |
Textual Features | Brigid Brophy | There is a strong flavour of Kafka
about this comic parable both of a family and of a state. The royal family of Evarchia (somewhere in contemporary Middle or Eastern Europe) has an authoritarian father... |
Occupation | Hannah Arendt | Her next task was the struggle to secure publication for manuscripts left in her keeping and that of her husband by Walter Benjamin
. She also needed work, and became first a literary reviewer and... |
Material Conditions of Writing | Willa Muir | After WM
finished translating Kafka
's short-story volume The Penal Colony, Stories and Short Pieces, she broke down from exhaustion: my ravaged nervous system began to make itself more felt: I found myself shivering... |
Material Conditions of Writing | Willa Muir | WM
had conceived and begun work on this novel by 1926, planning to set it in Montrose, her childhood town. Muir, Willa. Belonging. Hogarth Press. 125 Smith, Ali. “And Woman Created Woman: Carswell, Shepherd and Muir, and the Self-Made Woman”. Gendering the Nation: Studies in Modern Scottish Literature, edited by Christopher Whyte, Edinburgh University Press, pp. 25-47. 43 |
Literary responses | Anna Kavan | |
Literary responses | Jean Rhys | Critically, Rhys has been lauded as a modernist writer, a feminist writer, and, more recently, a postcolonial, Caribbean, or Creole writer. Biographer Carole Angier suggests that her preoccupation with exile was common in her time... |
Literary responses | Anna Kavan | |
Literary responses | Medbh McGuckian | Thomas McCarthy
wrote in the Cork Literary Review that this volume consolidates what is already an achieved and unique presence in Irish poetry. Her mind is astonishing—within her world Kafka
dines comfortably with Vita Sackville-West
. The Gallery Press. http://www.gallerypress.com/home.html. |
Literary responses | Marjorie Bowen | Critic Edward Wagenknecht
, believing that the author's creative powers were at their peak at the very end of her life, Wagenknecht, Edward. Seven Masters of Supernatural Fiction. Greenwood Press. 165 |
Literary responses | Marjorie Bowen | MB
was admired in her own day by others who prided themselves on the popular touch in their writing: Mark Twain
, Walter de la Mare
, Compton Mackenzie
, and Hugh Walpole
, who... |
Literary responses | Ivy Compton-Burnett | During the early part of ICB
's career she was little regarded or understood. Raymond Mortimer
was one of the first to perceive her quality, and she quickly began to attract the attention of younger... |
Intertextuality and Influence | Jackie Kay | One story, Shell, draws from Kafka
's Metamorphosis, as an overweight single mother grows a shell and becomes a tortoise. Almost all of the stories focus on women, and the most optimistic concern... |
Intertextuality and Influence | Ali Smith | Autumn centres around the intergenerational friendship of 32-year-old art-history lecturer Elisabeth Demand and her childhood neighbour, the clever and lively Daniel Gluck, now 101 years old and quietly existing in a care home. Through silent... |
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