Lochhead, Liz. Dreaming Frankenstein and Collected Poems 1967-1984. Polygon.
147
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Liz Lochhead | Revelation, based on a childhood memory, presents a young girl's encounter with a black bull—immense, / his edges merging with the darkness. Lochhead, Liz. Dreaming Frankenstein and Collected Poems 1967-1984. Polygon. 147 |
Textual Features | Carol Ann Duffy | Critic Deryn Rees-Jones
discerns widely varied influences on CAD
's work: mainstream English poets like Wordsworth
, Robert Browning
, T. S. Eliot
, Auden
, Dylan Thomas
, Larkin
, and Ted Hughes
... |
Textual Features | Susan Hill | This is a remarkably informal quarterly: the sketch on its cover shows a bouncing mad-hatter figure with a bunch of flowers in his hand and a pile of books on his head. While endearingly open... |
Textual Production | Sylvia Plath | Hughes was pressured to publish SP
's work shortly after her death. Exercising his copyright control as literary executor, he omitted fourteen of the forty-one poems which Plath had prepared in a collection she had... |
Textual Production | Sylvia Plath | An American edition with further selections appeared in 1979. Tabor, Stephen. Sylvia Plath: An Analytical Bibliography. Meckler. 50 |
Textual Production | Sylvia Plath | Intimate or upsetting passages were censored by Ted Hughes
and his sister Olwyn Hughes
. Ted Hughes has described Plath's journal writing as generally negative self-castigation, or a means of rallying her determination to get... |
Textual Production | Sylvia Plath | Of the journals for the last two years of Plath's life, her husband
destroyed one part. He said later that he wanted to protect their children, thinking of forgetfulness as essential to survival. Rose, Jacqueline. “So many lives, so little time for a desperate poet”. Guardian Weekly, p. 17. 17 |
Textual Production | Ruth Fainlight | In 1986 she published with her introduction, through Turret Books
, the Selected Poems of her late brother Harry Fainlight
, with a memoir by Allen Ginsberg
and a poem by Ted Hughes
, in... |
Textual Production | Frances Horovitz | The year FH
died, poems of hers were reprinted by Gillian Clarke
, Seamus Heaney
, and Ted Hughes
in a commemorative pamphlet. The next year Michael Horovitz
reprinted others in a similar tribute, A... |
Textual Production | Elaine Feinstein | EF
's Ted Hughes
: The Life of a Poet was the first biography to appear of this controversial figure. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Morrison, Blake. “Keeper of a Stubborn Faith”. Guardian Weekly. 14 |
Textual Production | Patricia Beer | PB
's varied prose output includes editing work: the PEN
poetry collections of 1962 (with Ted Hughes
and Vernon Scannell
) and 1975, and New Poetry 2, 1976 (with Kevin Crossley-Holland
). She began... |
Textual Production | Anne Stevenson | |
Textual Production | Sylvia Plath | SP
and Ted Hughes
recorded Poets in Partnership, a twenty-minute radio interview, for the series Two of a Kind. Hayman, Ronald. The Death and Life of Sylvia Plath. Heinemann. 138 |
Textual Production | Anne Stevenson | AS
retains her belief in poetry's need and capacity to reach out to elusive reality, to the ahuman, wordless world. Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press. 173 Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press. 170-1 |
Textual Production | Sylvia Plath | SP
's second major collection of poems, Ariel, was published posthumously in a form revised by Ted Hughes
. Tabor, Stephen. Sylvia Plath: An Analytical Bibliography. Meckler. 20-1 |
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