Athenæum. J. Lection.
1184 (1850): 707
Henry Fothergill Chorley
Standard Name: Chorley, Henry Fothergill
Used Form: H. F. Chorley
Used Form: Henry F. Chorley
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Literary responses | Julia Kavanagh | In an extremely lengthy and detailed Athenæum review, H. F. Chorley
notes that Miss Kavanagh is probably the only living Englishwoman [to have] waded through many of the more obscure works she discusses. He adds... |
| Literary responses | Anne Marsh | Chorley
's Athenæum review is remarkable for two things: for the vehemence with which he praised the novel's plotting and the climactic scene of preparations for the wedding (which he quoted at length, only regretting... |
| Literary responses | Emma Robinson | The Athenæum's reviewer, Henry Fothergill Chorley
, wrote that after Mary Russell Mitford
's characterization of Cromwell
in her Charles the First, we know not who has conceived of the great General better... |
| Literary responses | Mary Martin | H. F. Chorley
, reviewing for the Athenæum, praised the author's descriptive picturesquenessand noted that her characters are drawn with more force than often belongs to heroes and villains imagined by the Women... |
| Literary responses | Camilla Crosland | Lydia was reviewed in the Athenæum by Henry Fothergill Chorley
. While he did not have much praise for the work itself (some passages were amusing, others pathetic), he was generous with his... |
| Literary responses | Emma Robinson | The Athenæum review of this novel was once more by Henry Chorley
. |
| Literary responses | Mary Martin | In his review in the Athenæum, H. F. Chorley
detected the strong influence of Lady Morgan
on the characters and action of this novel. |
| Literary responses | Camilla Crosland | The Athenæum review did not address the book's literary qualities. Instead, Henry Fothergill Chorley
merely wondered how persons of taste and sense can be drawn into such frenzies. Athenæum. J. Lection. 1552 (1857): 941 |
| Literary responses | Emma Robinson | The Athenæum (again in the person of Henry Chorley
, again reviewing ER
as a male author), said she was still improving. Despite the difficulties posed by handling such well-known material, in this novel the... |
| Literary responses | Eliza Lynn Linton | This and her next novel received a moderately good press, including a review by H. F. Chorley
in the Athenæum. The Times review of Azeth, the Egyptian was particularly gratifying. Overall, however, its reception... |
| Literary responses | Lucie Duff Gordon | The Athenæum's review of Vacation Tourists and Notes of Travel in 1862-3 pronounced Lady Duff Gordon's letters to be the most popular portion of this book Athenæum. J. Lection. 1917 (1864): 104 |
| Literary responses | Emma Robinson | Henry Fothergill Chorley
, again reviewing ER
for the Athenæum and still convinced that she was a man, wrote that he retained in this foray into the unpleasantness of the modern world the same power... |
| Literary responses | Felicia Hemans | Chorley
also wrote the note on FH
in The Authors of England: A Series of Medallion Portraits, 1838, claiming for her a place of honour Chorley, Henry Fothergill, and Achille Collas. The Authors of England. Charles Tilt. 1 |
| Literary responses | Eliza Lynn Linton | Athenæum reviewer H. F. Chorley
felt that the author was now raving like a pagan Pythoness—the female oracle whose pronouncements were not expected to be comprehensible: There is a positive untruth to the very... |
| Literary responses | Amelia B. Edwards | Henry Fothergill Chorley
in the Athenæum faulted the book as being something close to a textbook under the guise of entertainment. Young people, he argued, resent such books as engines of oppression. Athenæum. J. Lection. 1788 (1862): 151 |
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