Laurence Sterne

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Standard Name: Sterne, Laurence

Connections

Connections Sort ascending Author name Excerpt
Literary responses Penelope Aubin
Popular fiction of PA 's type is a target of parody in Henry Fielding 's Jonathan Wild.
McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Jonathan Wild</span&gt”;. Studies in the Novel, Vol.
30
, No. 2, pp. 211-31.
215
Sterne , too, may have had her work in mind in his burlesque story of the...
Literary responses Sarah Scott
Later this year the black Londoner Ignatius Sancho singled out Laurence Sterne and the humane author of Sir George Ellison as the only writers to have drawn a tear in favour of my miserable black...
Literary responses Susanna Haswell Rowson
The Critical Review situated this work in reference to two others: Sterne 's Sentimental Journey and Elizabeth Bonhote 's The Rambles of Mr. Frankly. (It apparently did not remember Eliza Haywood 's The Invisible...
Literary responses Elizabeth Bonhote
The first volume's appearance was warmly welcomed by the Critical Review in a brief review which called the writer he:the only note of reproof concerned excessive imitation of Sterne .
Critical Review. W. Simpkin and R. Marshall.
34 (1772): 472
The...
Intertextuality and Influence Mary Ann Cavendish Bradshaw
There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More 's Coelebs...
Intertextuality and Influence Mary Elizabeth Braddon
Robert Lee Wolff argues that this is one of MEB 's very best Wilkie Collins -style investigations.
Wolff, Robert Lee. Sensational Victorian. Garland.
243
As in much of MEB 's other fiction in this style, the reader can easily and...
Intertextuality and Influence Mary Latter
ML here accords honorific citation to Dryden and Pope ,
Latter, Mary. Pro &amp; Con. T. Lowndes.
31-2
repeated mockery to the over-long words she sees as favoured by Dr Johnson ,
Latter, Mary. Pro &amp; Con. T. Lowndes.
vii, 14
and contempt to the famous John Bunyan of...
Intertextuality and Influence Jane Taylor
Tomkins (whose words open the novel in very much the way that Sterne 's narrator opens A Sentimental Journey) is in search of a wife, but early rules out the heroine from consideration. She...
Intertextuality and Influence Alethea Lewis
Her first chapter explicitly addresses critics, and the authorial voice is often in dialogue with imagined readers—who are given a kind of life as typical young eligibles: the lovely Florinda and her favoured swain.
Feminist Companion Archive.
AL
Intertextuality and Influence Mrs Martin
Each volume has an introductory chapter, addressing the reader in the manner of, and with some images borrowed from, Henry Fielding or Laurence Sterne (the latter, indeed, is mentioned by name). MM hopes her reader...
Intertextuality and Influence Elizabeth Thomas
The quotations that head her chapters range through more than a dozen well-known male names from Shakespeare through Racine in French, Prior and Pope to Sterne and Burke , plus a couple of unidentified women....
Intertextuality and Influence Amelia B. Edwards
Barbara Churchill, a clever, shy, ugly, awkward child,
Athenæum. J. Lection.
1888 (1864): 15
is sent by her harsh and unappreciative father to stay for a year in Suffolk with her aunt Ann Shandyshaft, who is as eccentric...
Intertextuality and Influence Helena Wells
The heroine's father is a Hamburg merchant (which perhaps explains the book's Hamburg subscribers). She is born in Barbados (where her mother, on arrival, would have been perfectly happy, but for the black servants)...
Intertextuality and Influence Maggie Gee
Her ordinary working-class family here (quite the same as everyone else)
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.
consists of Henry and Lorna Tripp, their three children and their elders. She makes Angela, the character most like herself, a purposely...
Intertextuality and Influence Willa Muir
WM heads her essay with a quotation from Laurence Sterne 's Tristram Shandy: Methinks, brother, replied my father, you might, at least, know so much as the right end of a woman from the...

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