McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Jonathan Wild</span>”;. Studies in the Novel, Vol.
30
, No. 2, pp. 211-31. 215
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Penelope Aubin | Popular fiction of PA
's type is a target of parody in Henry Fielding
's Jonathan Wild. McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Jonathan Wild</span>”;. Studies in the Novel, Vol. 30 , No. 2, pp. 211-31. 215 |
Literary responses | Sarah Scott | Later this year the black Londoner Ignatius Sancho
singled out Laurence Sterne
and the humane author of Sir George Ellison as the only writers to have drawn a tear in favour of my miserable black... |
Literary responses | Susanna Haswell Rowson | The Critical Review situated this work in reference to two others: Sterne
's Sentimental Journey and Elizabeth Bonhote
's The Rambles of Mr. Frankly. (It apparently did not remember Eliza Haywood
's The Invisible... |
Literary responses | Elizabeth Bonhote | The first volume's appearance was warmly welcomed by the Critical Review in a brief review which called the writer he:the only note of reproof concerned excessive imitation of Sterne
. Critical Review. W. Simpkin and R. Marshall. 34 (1772): 472 |
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland. 243 |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes. 31-2 Latter, Mary. Pro & Con. T. Lowndes. vii, 14 |
Intertextuality and Influence | Jane Taylor | Tomkins (whose words open the novel in very much the way that Sterne
's narrator opens A Sentimental Journey) is in search of a wife, but early rules out the heroine from consideration. She... |
Intertextuality and Influence | Alethea Lewis | Her first chapter explicitly addresses critics, and the authorial voice is often in dialogue with imagined readers—who are given a kind of life as typical young eligibles: the lovely Florinda and her favoured swain. Feminist Companion Archive. |
Intertextuality and Influence | Mrs Martin | Each volume has an introductory chapter, addressing the reader in the manner of, and with some images borrowed from, Henry Fielding
or Laurence Sterne
(the latter, indeed, is mentioned by name). MM
hopes her reader... |
Intertextuality and Influence | Elizabeth Thomas | The quotations that head her chapters range through more than a dozen well-known male names from Shakespeare
through Racine
in French, Prior
and Pope
to Sterne
and Burke
, plus a couple of unidentified women.... |
Intertextuality and Influence | Amelia B. Edwards | Barbara Churchill, a clever, shy, ugly, awkward child, Athenæum. J. Lection. 1888 (1864): 15 |
Intertextuality and Influence | Helena Wells | The heroine's father is a Hamburg merchant (which perhaps explains the book's Hamburg subscribers). She is born in Barbados (where her mother, on arrival, would have been perfectly happy, but for the black servants)... |
Intertextuality and Influence | Maggie Gee | Her ordinary working-class family here (quite the same as everyone else) Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Intertextuality and Influence | Willa Muir | WM
heads her essay with a quotation from Laurence Sterne
's Tristram Shandy: Methinks, brother, replied my father, you might, at least, know so much as the right end of a woman from the... |
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