Baldwin, Dean, editor. Dictionary of Literary Biography 139. Gale Research, 1994.
139: 305
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Enid Bagnold | Eccentric Mrs St Maugham (owner of the garden on cold and grudging chalk soil, whose poor growing qualities are the play's central symbol) takes on Miss Madrigal as governess to her grand-daughter, Laurel, precisely because... |
Textual Features | Christina Stead | It is a gentle story, called by Hazel Rowley
in the Oxford Dictionary of National BiographyChekhovian
. Its protagonist, Edward Massine, a Second World War veteran, owns two apartment houses in New York and... |
Textual Features | Katherine Mansfield | KM
's letters and journals reflect an intensity of engagement with the detail of the world around her and with her own inner life: a blend of carefully nurtured skills, as well as, latterly, the... |
Textual Features | Nadine Gordimer | She aligned her stories with the difficult truth-telling of Chekhov
. |
Textual Features | Sylvia Townsend Warner | Warner's stories have been compared to those of Anton Chekhov
, which are likewise portrayals of character and place having little or no plot. Baldwin, Dean, editor. Dictionary of Literary Biography 139. Gale Research, 1994. 139: 305 |
Textual Production | Ann Jellicoe | AJ
knew from an early age that she wanted to work in the theatre. At school she put together amateur productions of many of her own creations. Her first work to achieve a professional production... |
Textual Production | Iris Tree | IT
's sole biographer, Daphne Fielding
, records that Tree
wrote a number of plays during her time in Ireland. It seems they were not printed, since there are no records of them in... |
Textual Production | Anita Brookner | AB
published a new novel, The Bay of Angels, whose dust-jacket features A. N. Wilson
likening Brookner to Chekhov
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Elizabeth Jolley | EJ
invoked as an appropriate description of her own motivation, Flaubert
's dictum that writing comes from an inner wound. Joussen, Ulla. “An Interview with Elizabeth Jolley”. Kunapipi, Vol. 15 , No. 2, 1993, pp. 37-43. 40 |
Textual Production | Githa Sowerby | Beecham
called the play a ferocious Geordie drama thick with dialect, diatribe and an unsparing depiction of the brutalities of the industrial north at the turn of the century. Beecham, Richard, and Patricia Riley. “Foreword”. Looking for Githa, New Writing North, 2009. |
Textual Production | Ali Smith | A second anthology collaboration from AS
, Sarah Wood
, and Kasia Boddy
was issued by Penguin Modern Classics: Let's Call The Whole Thing Off: Love Quarrels from Anton Chekhov
to ZZ Packer . Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Maureen Duffy | Her title, and her epigraph, come from Chekhov
's The Cherry Orchard, and Moscow functions for the English characters in the novel as an impossible utopia. In the USA the novel was titled All... |
Textual Production | Katherine Mansfield | Scholar Claire Tomalin
suspects that this refusal had to do with KM
's unacknowledged debt to Chekhov
in The Child-Who-Was-Tired. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Constance Garnett | CG
translated the major works of Chekhov
, producing in many cases the earliest English versions of them. Schlueter, Paul, and June Schlueter, editors. An Encyclopedia of British Women Writers. Garland, 1988. |
Textual Production | Storm Jameson | Decades later she remembered praising Chekhov
, Hoffmansthal
, Ibsen
, and Strindberg
, while admitting that I mocked, censured, rebuked, tore down, with reckless delight, Shaw
, Yeats
, Masefield
, Jameson, Storm. Journey from the North. Harper and Row, 1970. 69 |
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