Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth Gaskell | EG
called this work simply a little country love story, Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber, 1993. 251 |
Literary responses | Fanny Aikin Kortright | This novel was reviewed for the Athenæum by Horace St John
, who placed FAKunmistakeably in the school of Currer Bell
, Athenæum. J. Lection. 1550 (1857): 881 |
Literary responses | Matilda Betham-Edwards | Geraldine Jewsbury
, reviewing this book for the Athenæum early the next year, was not exactly encouraging. She guessed the author's gender correctly, and judged the novel a pale imitation of Charlotte Brontë
's Jane... |
Literary responses | Jessie Fothergill | The Spectator reviewer admitted to surprise at this novel, since whereas The First Violin and Probation were clever and interesting, it found little, if anything, in them to lead us to expect that their author... |
Literary responses | Julia Kavanagh | H. F. Chorley
, the Athenæum reviewer, lauded it as an excellent story for young people, sound in morals and pleasant in incident,—with only one passing apparition of the Deus ex machina to disturb our... |
Literary responses | Elizabeth Gaskell | Around the time of Ruth's appearance, Swedish novelist and feminist Fredrika Bremer
(who was probably introduced to EG
by William
and Mary Howitt
) wrote: Dear Elizabeth, dear sister in spirit, if I may... |
Literary responses | Jean Rhys | Later critics speak of the book as her masterpiece, and as a work of genius, praising its ground-breaking colonial and canonical critique. Coral Ann Howells
comments that Wide Sargasso Sea has not only taken up... |
Literary responses | Harriet Martineau | The novel prompted a complimentary letter on 7 November 1849 from Currer Bell (Charlotte Brontë
) saying that in it he tasted a new and keen pleasure, and experienced a genuine benefit. In his... |
Literary responses | Matilda Betham-Edwards | The Athenæum review by Lena Eden
professed itself disgusted not so much by Dr Jacob's hypocritical and despicable character as by his gall in presuming to set himself up as a hero at an age... |
Literary responses | Anne Brontë | The novel was reviewed immediately by The Spectator and the Athenæum. The former accused the author of a morbid love for the coarse, not to say the brutal, and objected to the coarseness of... |
Literary responses | Julia Kavanagh | On 22 November 1848, Charlotte Brontë
wrote to William Smith Williams
(a friend of both herself and the author), I have read Madeleine. It is a fine pearl in simple setting. Julia Kavanagh has... |
Literary responses | Elizabeth Gaskell | |
Literary responses | Patricia Highsmith | Critic Bob Wake
discusses Highsmith's complex point-of-view techniques—a literary style begun by Henry James
—and her modelling The Talented Mr Ripley on his novel The Ambassadors (1903). He notes her humorous plays on the James... |
Literary responses | Anne Mozley | George Eliot
not only praised this review in a letter, but also instructed her publisher to send a copy of her next novel, The Mill on the Floss, to Bentley's
expressly so that it... |
Literary responses | Anne Brontë | After AB
's death, Charlotte
considered her sister's novelhardly . . . desirable to preserve and the subject matter an entire mistake. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul, 1974. 274 |
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