Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Features | Eudora Welty | The word regional, said Welty, is careless, condescending, and an outsider's term; it has no meaning for the insider who is doing the writing.Jane Austen
, theBrontësisters
, and the writers... |
Textual Features | Eliza Lynn Linton | The novel, like the much earlier Grasp Your Nettle, features an off-stage Brontë
esque mad wife. Sanders, Valerie, and Eliza Lynn Linton. “Appendix F: Eliza Lynn Linton and the Canon”. The Rebel of the Family, edited by Deborah T. Meem and Deborah T. Meem, Broadview, pp. 475-87. 479 |
Textual Features | Flora Macdonald Mayor | While spinsters are again perceived as lonely, self-pitying, garrulous, defensive TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4223 (9 March 1984): 238 |
Textual Features | Violet Hunt | VH
modifies the gothic here to explore the psychological strains felt by sexually-frustrated women. Marie Secor
finds a Charlotte Brontë
-ish quality Secor, Marie. “Violet Hunt, Novelist: A Reintroduction”. English Literature in Transition, Vol. 19 , pp. 25-34. 27 |
Textual Features | Adrienne Rich | AR
's delineation of a lesbian continuum . . . of woman-identified experience Rich, Adrienne. Blood, Bread, and Poetry. Norton. 51 |
Textual Features | Jane Austen | The plot of this novel is a version of a romance archetype: poor but deserving girl confounds all expectations by marrying up. Elizabeth Bennet is the quintessence of the witty and resourceful heroine who had... |
Textual Features | Violet Hunt | Through this novel, VH
reconfigures the conventional governess narrative through the character, perceptions, and experiences of her heroine, Amy Steevens. Hunt, Violet. White Rose of Weary Leaf. W. Heinemann. 9 |
Textual Features | Dorothy Richardson | Carol Watts
notes the influence of two writers in particular on this volume. As she suggests, Miriam's personal and creative journey begins with a departure, as does Lucy Snowe's in Charlotte Brontë
's Villette... |
Textual Features | Ruby M. Ayres | Dark Gentleman carries an unascribed epigraph from Caroline Norton
: Until I truly loved—I was alone. Ayres, Ruby M. Dark Gentleman. Hodder and Stoughton. title-page |
Textual Features | Elizabeth Robins | It presents, in a light and humorous tone, three models of writing women: Charlotte Brontë
as a genius of the past, speaking from beyond the grave (or perhaps being fraudulently made to speak); a Victorian... |
Textual Features | Charlotte Mew | The essay treats works by women writers, such as Anne Thackeray Ritchie
's The Village on the Cliff and Charlotte Brontë
's Jane Eyre and Villette, alongside works by men. |
Textual Features | Caroline Clive | In a preface CC
addresses criticism of her previous work, Paul Ferroll. She writes: The opinions of the Public are like Fate. An Author may loudly declare them unjust, but he does not alter... |
Textual Features | Liz Lochhead | Beginning with a rap'bout being a woman, Lochhead, Liz. True Confessions and New Clichés. Polygon Books. 3 |
Textual Features | Mary Elizabeth Coleridge | While Charlotte Brontë
, MEC
argues, swept the world away in the storm of her passion and George Eliotconquered it with the power of understanding, [Elizabeth] Gaskell
forced it to weep for pity [and]... |
Textual Features | Mary Ann Kelty | This is a novel of two generations, each part of which seems to contain a faint foreshadowing of Charlotte Brontë
's Jane Eyre. It traces the personal and family experience of Catherine Dorrington, who... |
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