Plath, Sylvia. “Ennui”. Blackbird: an online journal of literature and the arts, Vol.
5
, No. 2. Connections | Author name Sort ascending | Excerpt |
---|---|---|
Cultural formation | Edith Sitwell | She had been interested in Catholicism for many years, and had allied her thinking with neo-Thomism, a reaching back to medieval thought which saw material world as a reflection of the immaterial reality of God... |
Intertextuality and Influence | Edith Sitwell | ES
loved Christina Rossetti
from her childhood, and later thoroughly admired Gertrude Stein
. As a young woman, however, she believed: Women's poetry, with the exception of Sappho
. . . and Goblin MarketChristina Rossetti
and... |
Education | Michèle Roberts | As a child, says MR
, she lived much of the time in my imagination and in books. The bookcase her mother had had as a student, the local public library, and the local church... |
Textual Production | Michèle Roberts | MR
had another play, Child Lover, premiered at the Tramway Theatre
in Glasgow in 1993. The television adaptation of her story Ma Semblable Ma Soeur (titled from Baudelaire
, with her script), aired on... |
Intertextuality and Influence | Sally Purcell | |
Occupation | Edgar Allan Poe | EAP
laboured for years as a journalist and editor. Although he had many publications prior to the 1845 publication of The Raven and Other Poems, it was this work that firmly established his popular... |
Intertextuality and Influence | Sylvia Plath | This poem, which reflects her reading in Henry James
, Scott Fitzgerald
, and Charles Baudelaire
, expresses whimsical regret that the days of ogres and dragons, perils and combat, knights and princesses, have passed. Plath, Sylvia. “Ennui”. Blackbird: an online journal of literature and the arts, Vol. 5 , No. 2. |
Textual Production | Ouida | Ouida
published a novel entitled Folle-Farine: the edition of 1883 used for the Victorian Women Writers Project
quotes Baudelaire
on its title-page. Athenæum. J. Lection. 2287 (26 August 1871): 263-4 Willett, Perry, and Perry Willett, editors. “Victorian Women Writers Project”. Indiana University. |
Textual Production | Edna St Vincent Millay | Flowers of Evil by George Dillon
and ESVM
, their translation of Baudelaire
's Les Fleurs du Mal, was published by Harper
. Individual poems bore the initials of one or other or both translators. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House. 398 |
Family and Intimate relationships | Edna St Vincent Millay | From April to June 1932 Millay and Dillon were in Paris together. Dillon had just, in his turn, won the Pulitzer Prize, and had a Guggenheim fellowship to support him, modestly, for the sake of... |
Textual Production | Edna St Vincent Millay | In summer 1934 ESVM
's former lover George Dillon
began translating Charles Baudelaire
. The work went well at first but a year later he was bogged down. Millay offered comment and an introduction; she... |
Publishing | Edna St Vincent Millay | The book appeared with the original French on opposite pages from the translations. The second edition appeared the same year, with the title modified to Flowers of Evil, from the French of Charles Baudelaire... |
Textual Production | Katherine Mansfield | Stories she designed for particular sets of readers around this time, especially those for the Fabian New Age, show the edge of professionalism. She had already written bowdlerised versions of Baudelaire
and Wilde
... |
Textual Production | Liz Lochhead | The title is a phrase from a poem by Baudelaire
; it says that one ought to take a few flowers to the dead, who are desolate. The play was published in Bagpipe Muzak. |
Literary responses | Ada Leverson | Robert Ross
closed A Note of Explanation which he contributed to the book in a tone of well-meant condescension: if Prospero is dead we value all the more the little memories of Miranda. Leverson, Ada, and Oscar Wilde. “Reminiscences of the Author”. Letters to the Sphinx from Oscar Wilde, Duckworth, pp. 19-49. 16 |
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