Petrie, Glen. A Singular Iniquity: The Campaigns of Josephine Butler. Macmillan, 1971.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Mary Cowden Clarke | Vincent Novello
, MCC
's father, was a music teacher, choirmaster, composer, and music publisher, who played the organ for the Portuguese Embassy Chapel at South Street, Grosvenor Square, London, for twenty-six years. There... |
Friends, Associates | Anne Hunter | Among Anne's personal friends and guests at her gatherings were Elizabeth Carter
, Mary Delany
, Elizabeth Montagu
, Hester Thrale
, her niece by marriage Joanna Baillie
(whom she first met when Baillie came... |
Leisure and Society | Josephine Butler | |
Literary responses | Dora Carrington | When artist and critic Henry Lamb
viewed the image of the last, he apparently heard or saw music in it. He informed her: I think there is something so very good about your head of... |
Occupation | Fanny Holcroft | FH
was a musician before she was a writer. She was performing for family guests by 1798, when her father's diary says a great deal about her ability, and mentions her being the principal performer... |
Performance of text | Ruth Padel | RP
's new words for Haydn
's quartet Opus 51 was first performed. They are titled Seven Words and an Earthquake. Padel, Ruth. “It’s over”. The Guardian, 19 Apr. 2014, p. Review 19. |
Author summary | Anne Hunter | AH
was admired during the Romantic period for her poetry, most of it songs and ballads. She wrote her own music for some; Haydn
set many others. She also wrote occasional poetry of many kinds... |
Publishing | Charlotte Smith | Many of CS
's songs were published here and there, with music by various composers: John Hindle
, William Horsley
, William Beale
, John Relfe
, Pasquale Anfossi
, Giovanni Paisiello
, Ignaz Pleyel
, and Joseph Haydn
. Londry, Michael. “On the Use of First-Line Indices for Researching English Poetry of the Long Eighteenth Century, c. 1660-1830, with Special Reference to Women Poets”. The Library, Vol. 5 , No. 1, Mar. 2004, pp. 12-38. 30-1 |
Textual Features | Naomi Jacob | Characters in this book (stereotypes all, according to Paul Bailey) include Haydn
, Mozart
(a little, white-faced genius), Casanova
(possessor of a strange, twisted smile), and the Young Pretender
. qtd. in Bailey, Paul. Three Queer Lives: An Alternative Biography of Fred Barnes, Naomi Jacob and Arthur Marshall. Hamish Hamilton (Penguin), 2001. 155 |
Textual Production | Anne Hunter | Haydn
's Six Original Canzonettas were advertised for sale with a dedication to AH
, who was the anonymous author of its lyrics. qtd. in Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Hunter, Anne. The Life and Poems of Anne Hunter, Haydn’s Tuneful Voice. Editor Grigson, Caroline, Liverpool University Press, 2009. 50-1 |
Textual Production | Anne Hunter | AH
wrote a libretto in English for Haydn
's oratorio The Creation, following its first performance in England in March 1800 with an inferior libretto translated from the German one. Hunter, Anne. The Life and Poems of Anne Hunter, Haydn’s Tuneful Voice. Editor Grigson, Caroline, Liverpool University Press, 2009. 69 |
Textual Production | Anne Hunter | AH
first became really well-known for My mother bids me bind my hair, which she wrote to an air by Ignace Joseph Pleyel
but which was later set by Joseph Haydn
and printed as... |
Textual Production | Anne Hunter | For Haydn
's Second Set of Six Original Canzonettas, published in August 1795, Caroline Grigson says AH
provided text for only one piece, but helped select the rest. Hunter, Anne. The Life and Poems of Anne Hunter, Haydn’s Tuneful Voice. Editor Grigson, Caroline, Liverpool University Press, 2009. 57-8 |
Textual Production | Anne Hunter | O Tuneful Voice, the little song which Grigson calls AH
's most celebrated, was said to be a farewell gift from her to Haydn
. Hunter, Anne. The Life and Poems of Anne Hunter, Haydn’s Tuneful Voice. Editor Grigson, Caroline, Liverpool University Press, 2009. 58, 121-22 |
Textual Production | Ellis Cornelia Knight | Several of her poems were set to music. The Moment of Victory, published in the 1800s, whose musical score was composed by William Rook
, was written by her. The Battle of the Nile... |