OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
W. B. Yeats
-
Standard Name: Yeats, W. B.
Used Form: William Butler Yeats
Used Form: Willie Yeats
WBY
, who began publishing well before the end of the nineteenth century, is regarded as one of the most important twentieth-century poets in English, and one of the most international of Irish writers. He was early involved in the Irish Literary Revival, and wrote early, highly romantic lyrics on Celtic and fairy themes. Later he made poetry out of the search for a poetic language. Some of his later work is affected by his interest in the occult.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Katharine Tynan | This volume runs from her youth up to Charles Stewart Parnell
's death in 1891, the closing of an important historical and personal chapter. She spends considerable time on her relationship with her father
... |
Textual Production | Katharine Tynan | KT
, W. B. Yeats
, and John O'Leary
compiled and edited a volume of Poems and Ballads of Young Ireland. Tynan, Katharine. The Middle Years. Constable. 35 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 240 |
Literary responses | Katharine Tynan | W. B. Yeats
wrote to her of this book: You have the gift to describe many people with sympathy and even with admiration and yet to leave them their distinct characters. Hinkson, Pamela. “The Friendship of Yeats and Katharine Tynan, II: Later Days of the Irish Literary Movement”. The Fortnightly, No. 1043 n.s., pp. 323-36. 331 |
Textual Production | Katharine Tynan | KT
selected and edited (with advice from W. B. Yeats
) Irish Love-Songs. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Tynan, Katharine. The Middle Years. Constable. 68-9 |
Reception | Katharine Tynan | At the start of her writing career, in 1885, KT
was revered as the next Catholic
woman poet to succeed Christina Rossetti
. She herself held firmly to this image even while her Parnellism and... |
Family and Intimate relationships | Katharine Tynan | KT
's father, Andrew Cullen Tynan
, came from a long line of Irish farmers from Cheeverstown in Dublin and from County Wicklow. He was born from a mixed marriage: his mother was Catholic... |
Textual Production | Katharine Tynan | KT
's papers are held at the Southern Illinois University Library
; her letters from W. B. Yeats
are at the Huntington Library
; and other papers are held at the University of Texas at Austin, Harry Ransom Humanities Research Center Library |
Friends, Associates | P. L. Travers | Her first visit to Ireland proved crucial for the literary contacts it enabled her to make: Æ
(George Russell) and W. B. Yeats
. Æ, the editor of The Irish Statesman, became an important... |
Cultural formation | John Millington Synge | He first met William Butler Yeats
, one of two major Irish literary contemporaries who also rejected religion in their youth, in 1896. (The other scoffer at religion, James Joyce
, he met only once... |
Travel | John Millington Synge | After January 1895, Paris became Synge's most frequent destination and then his part-time home, though he also spent time studying in Rome and Florence. It was in Paris that he first met William Butler Yeats |
Friends, Associates | John Millington Synge | JMS
's major supporters in his dramatic career were William Butler Yeats
and Augusta, Lady Gregory
, who ran the Irish National Theatre
. Other famous literary supporters included G. K. Chesterton
, John Masefield |
Occupation | John Millington Synge | In September 1905, JMS
, along with Yeats
and Lady Gregory
, became directors of the company. George Russell
and Fred Ryan
were also administrators for the Irish National Theatre Society
. Benson, Eugene. J. M. Synge. Macmillan. 11-12 Saddlemyer, Ann. “Introduction and Chronology”. The Collected Letters of John Millington Synge, Oxford University Press, p. ix - xxvi. xxiv Kiely, David M. John Millington Synge: A Biography. Gill and Macmillan. 156 |
Textual Production | John Millington Synge | He had begun writing this play in the summer of 1902, staying with his mother and relatives at a farmhouse in Tomriland, Wicklow, and by October had shown a version to the Theatre Society... |
Textual Features | John Millington Synge | It was his first three-act play. Like Riders to the Sea, it drew its inspiration from the folklore of the Aran Islands. It was published at the end of the same year, in... |
Literary responses | John Millington Synge | The first audiences hated what they perceived as the scandalously negative portrayal of Irish character. Actresses on stage in their shifts or undergarments were felt to be indelicate and damaging to national pride. Benson, Eugene. J. M. Synge. Macmillan. 12-13, 113, 115 |
Timeline
No timeline events available.
Texts
No bibliographical results available.