Kushigian, Nancy, and Stephen C. Behrendt, editors. Scottish Women Poets of the Romantic Period.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Features | Matilda Betham-Edwards | This man, a French Protestant condemned to the galleys as a heretic, had published authentic memoirs of his harrowing experiences in 1757. Oliver Goldsmith
(who may possibly have met Marteilhe) had translated them pseudonymously into... |
Textual Features | Susanna Blamire | It is generally supposed that this poem owes something to Oliver Goldsmith
's The Deserted Village, |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Textual Features | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Reception | Jane Austen | |
Publishing | Anne Marsh | Harriet Martineau
was amazed when AM
first read her one of these tales, The Admiral's Daughter, and felt that their hostess later that evening (Sarah Wedgwood
) must have been almost equally amazed... |
Publishing | Anne Burke | A payment from the publisher of five guineas, with the same amount again to follow if the book earned it, made to Anne Ustick (or perhaps Urtick) suggests that this may have been AB |
Publishing | George Eliot | In submitting this anonymous manuscript to Blackwood
, Lewes
invoked the names of Oliver Goldsmith
(author of The Vicar of Wakefield) and of Jane Austen
. The firm of Blackwood
turned out to be... |
Occupation | Sydney Owenson, Lady Morgan | Sydney Owenson
took up a governess job with Margaret Featherstone
or Featherstonehaugh of Bracklin Castle, Westmeath. Literary critic James Newcomer
, who chooses the second version of the employers' family name, mistakenly says this... |
Occupation | Emmuska, Baroness Orczy | She had suddenly conceived the ambition of becoming an artist (the only profession open to her, as a girl of good family) when she heard that this was the choice of the cousin with whom... |
Literary Setting | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
Literary responses | Sarah Wentworth Morton | Julie Ellison
, who traces in Ouâbi the influence of male British poets like Thomson
and Goldsmith
, and their sentimental, topographical, masculinist traditions, Ellison, Julie. “Race and Sensibility in the Early Republic: Ann Eliza Bleecker and Sarah Wentworth Morton”. Subjects and Citizens, edited by Michael Moon and Cathy N. Davidson, Duke University Press, pp. 57-86. 60 |
Literary responses | Charlotte Lennox | The favourable review in the Literary Magazine (with which Johnson
was closely connected) probably owed something to his influence. Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press. 1: 710 |
Intertextuality and Influence | Mary Elizabeth Braddon | This novel contains the first appearance of MEB
's serially-employed character, the proto-sensation novelist Sigismund Smith (although that bitter term of reproach, sensation, had not been invented for the terror of romancers in the... |
Intertextuality and Influence | Anna Maria Mackenzie | A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and... |
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