Haywood, Eliza. Love in Excess. Editor Oakleaf, David, Broadview.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Marina Warner | Here MW
enlarges on Ovid
's tale through her heroine Leto, a woman who travels through time, metamorphosing from a pre-Christian-era mother to a present-day refugee. Thus, Warner brings the Ovidian notion of metamorphosis to... |
Intertextuality and Influence | Eliza Haywood | |
Intertextuality and Influence | Mary Robinson | MR
's preface quotes that of Charlotte Smith
to her Elegiac Sonnets. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 45 |
Intertextuality and Influence | Frances Seymour, Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Intertextuality and Influence | Marina Warner | The editor notes that Warner's contribution follows a stratedy also used by Ovid
himself in deliberately confusing the story of Leto and her babies with other stories. Through the metamorphic nature of the narrative, she... |
Intertextuality and Influence | Susanna Watts | The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear... |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Intertextuality and Influence | Elizabeth Boyd | EB
shares the Scriblerian enthusiasm for mixing genres. She presents To Proteus, The Indisputable God of Change as A Dedication of the foregoing Poem, as a revolutionary Epistle, that shall still more accomplish'dly beautify never-indolent... |
Intertextuality and Influence | Jo Shapcott | The prefatory poem To Her Book translates the traditional farewell from creator to creation (as written by Ovid
and imitated by Chaucer
, Robert Louis Stevenson
, and others, and popularly called Go, little book... |
Intertextuality and Influence | Phillis Wheatley | PW
's poetry is technically adept; collected, it adapts the standard language of sentimentality and protest into a dignified and individual voice. She celebrates liberty of various kinds, praises the work of a black artist... |
Intertextuality and Influence | A. S. Byatt | One reviewer noted ASB
's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content. Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, p. F7. F7 |
Intertextuality and Influence | Ali Smith | Smith's take on Iphis and Ianthe begins with sisters Anthea and Imogen listening to their grandfather's stories from when I was a girl in the women's suffrage movement: a sure induction into matters of gender... |
Friends, Associates | Mary Matilda Betham | As well as meeting at Llangollen with Lady Eleanor Butler
and Sarah Ponsonby
(who later talked with high praise of her), Betham, Ernest, editor. A House of Letters. Jarrold and Sons. 69, 70 |
Family and Intimate relationships | Sappho | Interest in her sexuality was disseminated in Europe by Ovid
in his Heroides (or Heroines), a collection from the first century AD of fictional epistles, mostly from women (all of them except Sappho mythological)... |
Education | Mary Eleanor Bowes, Countess of Strathmore | As a girl, Mary Eleanor Bowes received an excellent education and could speak several languages, reading French and Italian authors in the original. It was said that she did not learn Latin, but also that... |
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