Sarah, Lady Pennington,. An Unfortunate Mother’s Advice to her Absent Daughters. W. Bristow and C. Ethrington.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Lady Margaret Sackville | In 1944 Charles Richard Cammell
described this meeting in a heroic light: Already in Elizabethan times, English poetry and the illustrious house of Sackville were allied; nor has the alliance failed with the passing of... |
Textual Production | Mary Seymour Montague | It is likely though not absolutely certain that the author was really female. Her pseudonym suggests Lady Mary Wortley Montagu
(who had died nine years earlier, and whom this poem praises as the only woman... |
Textual Features | Sarah, Lady Pennington | She advises about relations with servants, about prompt payment of bills, and other aspects of running a complicated household. She says there will always be vacant Hours to fill up with reading, Sarah, Lady Pennington,. An Unfortunate Mother’s Advice to her Absent Daughters. W. Bristow and C. Ethrington. 38 |
Textual Features | Jane Cave | One interesting feature is the inclusion of nine poems by other authors: the canonical Prior
, Swift
, and Pope
, the lesser-known men John Scott
, William Broome
, and Nathaniel Cotton
, and... |
Textual Features | Lady Mary Wortley Montagu | Her poetry as a whole is conspicuous for its versatility. Her major early influences (Katherine Philips
and Abraham Cowley
) were succeeded by Dryden
. (She always denied any influence from Pope
.) But... |
Textual Features | Elizabeth Gilding | Edward Pitcher
describes these poems, the last identified from her pen, printed and apparently written soon after childbirth, as gloomy in tone. Pitcher, Edward W. Woman’s Wit. Edwin Mellen Press. 311 |
Textual Features | Judith Cowper Madan | |
Textual Features | Elizabeth Bentley | The poems appear in chronological order, written over the years since 1785, with a bumper year in 1789. EB
writes in various modes, using on the whole conventional and old-fashioned style and sentiment in each... |
Textual Features | Anna Seward | The series (completed in 1791) developed from AS
's strictures on John Weston
's contributions to a book entitled Records of the Woodmen of Arden. She compared Dryden
with Pope
to the advantage of... |
Textual Features | Frances Burney | Along with the sentimental and misunderstanding-prone lovers and the ridiculous esprit circle (which might so easily be taken to represent the Bluestockings), The Witlings features a women's working environment: a milliner's shop where seamstresses make... |
Textual Features | Judith Cowper Madan | Her courtship letters, says Rumbold, are insecure, unhappy, and demanding. Rumbold, Valerie. “The Poetic Career of Judith Cowper: An Exemplary Failure?”. Pope, Swift, and Women Writers, edited by Donald C. Mell, University of Delaware Press, pp. 48-66. 62 |
Textual Features | Eleanor Anne Porden | EAP
says she was captivated by the chivalrous and romantic spirit which breathes from every page of . . . history. Porden, Eleanor Anne. Coeur de Lion. G. and B. Whittaker. 1: xv |
Textual Features | Jane Collier | The Art of Tormenting is often referred to as a novel, but its genre is really that of the spoof instruction manual: the genre of Pope
's The Art of Sinking in Poetry and Swift |
Textual Features | Marguerite Gardiner, Countess of Blessington | The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the... |
Textual Features | Mary Leapor | Overall, ML
's poetic forms are those current in her day. Her model was Pope
, whom she admired as an artist and identified with as having, like herself, physical disabilities to contend with. But... |
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