Hands, Elizabeth. The Death of Amnon. Printed for the Author.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Elizabeth Teft | This, ET
's answer to a proposition in verse, says she might have accepted Fido if she had won the lottery prize she had hoped for. He wrote a second reply in August, sounding wounded... |
Intertextuality and Influence | Ann Wall | This extraordinary narrative of abuse by her father sounds almost incredible, yet its subject-matter is not parallelled by that of any work of contemporary fiction. AW
proves her literary entitlement by quoting Pope
and the... |
Intertextuality and Influence | Rumer Godden | Its setting is Catford Street, an ordinary, poor street in shabby postwar London, and the elegant Square round the corner. Its protagonist is a child waif, Lovejoy Mason; RG
's theme is the childhood... |
Intertextuality and Influence | Virginia Woolf | The new, female Orlando (though his gender has always been subject to hints and dubious suggestions) is essentially unchanged—in identity if not in future. After an interlude among the gipsies, Orlando's new status as an... |
Intertextuality and Influence | Elizabeth Hands | The shorter attached poems include On Reading Pope
's Eloiza to Abelard (whose heroine EH
pities but cannot approve), Hands, Elizabeth. The Death of Amnon. Printed for the Author. 114 |
Intertextuality and Influence | Mary Herberts | This tale is not continuous, but distributed in sections throughout the book. The romance couples make periodic contact with the Countess Brillante, a woman writer about whom Herbert's attitude is typically protean and hard to... |
Intertextuality and Influence | Mary Jones | As a late Augustan, Jones is skilled in the styles of more than one distinguished male predecessor, and confidently invites comparison with them. Her most famous poem today is the first in the volume, An... |
Intertextuality and Influence | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley. title-page |
Intertextuality and Influence | Anna Seward | |
Intertextuality and Influence | Elizabeth Hands | EH
's pastorals include some touching love-stories, but they also regularly reverse the gender situations traditional to the genre. It is pairs of nymphs (not pairs of shepherds) who are alike ambitious to excel in... |
Intertextuality and Influence | Frances Seymour, Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Intertextuality and Influence | Elizabeth Moody | Personal matters mingle with others of public or topical interest, as EM
addresses Joseph Priestley
on the inter-relation of matter and spirit, Marie Antoinette
on her sufferings before her execution, and Dr Thomas Huet
on... |
Intertextuality and Influence | Anne Plumptre | AP
quotes Pope
on her title-page (about indifference to fame) and Shakespeare
, Thomson
, Savage
, and others as chapter-headings. She sets her novel around the lakes of Killarney in Ireland. Antonia is... |
Intertextuality and Influence | Lady Charlotte Bury | The title-page quotes supposedly from Pope
but actually from Prior
: Nor tears that wash out sin, can wash out shame. Bury, Lady Charlotte. The Divorced. Henry Colburn. title-page |
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