Marina Warner

Standard Name: Warner, Marina
Birth Name: Marina Sarah Warner
MW has produced countless articles, book introductions and reviews, twelve non-fictional monographs, two volumes of short stories, half-a dozen children's books, and five novels. She has also written books about artists, art exhibition catalogues, opera librettos, and screenplays for film and television. Her work is consistently framed by a cultural studies and historical perspective, and much of her fiction is inflected by myth or fairy tale. She has produced carefully researched, non-fiction studies of legendary or actual female icons such as the Virgin Mary and Joan of Arc, and scholarly explorations of public monuments, fairy stories, and monsters. Warner's novels portray relations between family members in crisis, set against a dense background of history and myth. Her books have been translated into many languages and have won her many awards.
Photograph of Marina Warner receiving the Holberg prize in 2015. She is wearing a patterned shirt, pink blazer, and necklace to match. Her hair is styled up, and she is smiling as she holds her framed prize certificate.

Connections

Connections Author name Excerpt
Textual Production Leonora Carrington
The collection includes an introduction by Marina Warner , who worked with LC and Paul De Angelis on the integrity of the texts, which were first written between the late 1930s and early 1940s. Warner,...
Textual Production Sally Purcell
Marina Warner mentions SP 's intense identification with the subjectivity of . . . Provençal song.
Warner, Marina, and Sally Purcell. “Preface”. Collected Poems, edited by Peter Jay and Peter Jay, Anvil Press Poetry, 2002, pp. 15-18.
16
Textual Production Angela Carter
In mid-career AC said she had worked mainly with women as her publishers' editors. Shared gender makes a difference in this relationship, she wrote, even if the reader has zero feminist consciousness.
Carter, Angela. “Notes from the Front Line”. On Gender and Writing, edited by Michelene Wandor, Pandora Press, 1983, pp. 69-77.
72
Her two...
Textual Production Alison Fell
It was Marsha Rowe , a friend and contributor, who first suggested to her a book on hysterics.
Fell, Alison, editor. Serious Hysterics. Serpent’s Tail, 1992.
prelims
Other contributors included Marina Warner , Zoë Fairbairns , and Gail Scott .
Textual Production Jeanette Winterson
Her contributors included Ali Smith on Beethoven 's Fidelio, Anne Enright on Dvorak 's Rusalka, Jackie Kay on Janacek 's The Makropulos Case, Joanna Trollope on Donizetti 's L'Elisir d'Amore, Kate Atkinson
Textual Production Queen Victoria
Queen Victoria 's Sketchbook was published by Marina Warner in 1979.
Warner, Marina. Queen Victoria’s Sketchbook. Crown Publishers, 1979.
Theme or Topic Treated in Text Margaret Atwood
Subjects include English women writers Virginia Woolf , Antonia Fraser , Marina Warner , and Hilary Mantel , Americans Toni Morrison and Ursula Le Guin, as well as the reluctant Canadian Susanna Moodie and...
Theme or Topic Treated in Text Michèle Roberts
She writes, I originally became interested in the subject when I was trying to think my way out of Catholicism and into the confidence necessary for beginning to write.
Roberts, Michèle. “God”. Mslexia, Vol.
21
, Apr. 2004, pp. 28-9.
28
She writes excitedly about her...
Travel Mildred Cable
From their account of their travels in the Gobi, Marina Warner concludes that their religious attitudes were by now even more tolerant than at the time of their early dislike for the rigid denominationalism they...

Timeline

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Texts

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