Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Features | Catherine Hubback | The younger sister is Emma Watson, who has been educated away from home, and who on returning to her impoverished family finds herself out of sympathy with her elder sisters' quest to attract husbands. As... |
Textual Features | George Paston | In the Dictionary of Literary BiographyRebecca Brittenham
likens this novel's play on gothic convention to Jane Austen
's Northanger Abbey. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 197 |
Textual Features | Mary Berry | Like most of her correspondents, Berry is somewhat wordy, given to tiptoeing round the nuances of sentiment. Her letters to Walpole, like his to her, are divided between professions of affection and the endless chronicle... |
Textual Features | Edith Sitwell | Sitwell chose two women from before and five from during the eighteenth century, ten from the nineteenth century, and two from her own. Sitwell, Edith. English Women. William Collins, 1942. |
Textual Features | Muriel Spark | Spark's introduction speculates about the neglect of Mary Shelley, suggests as possible cause the fact that no single, facile cliché can encapsulate her, and puts forward a witty and trenchant list of the clichés to... |
Textual Features | Elizabeth Bonhote | A third-person narrative relates how Ellen, gentle as the dove, harmless as the lamb, and modest, without being reserved, Bonhote, Elizabeth. Ellen Woodley. William Lane, 1790, 2 vols. 1: 7 |
Textual Features | Catherine Gore | The title of this novel, published in 1836, echoes and responds to Anna Brownell Jameson
's Diary of an Ennuyée, 1826. The hero, Byronic Lord Eustace Hartston, keeps the heroine, Lady Harriet Delaval, some... |
Textual Features | Elizabeth Sophia Tomlins | Though Theresa writes most of the letters in the book, the opening one, as often in women's epistolary novels at this date, is an exchange between men. Tomlins, however, does not attempt to capture a... |
Textual Features | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Textual Features | Lady Louisa Stuart | |
Textual Features | Dorothy Boulger | The plot follows in the tradition of Austen
's Pride and Prejudice: chance causes the heroine and future hero to dislike one another on sight, after which she has to learn to overcome her... |
Textual Features | Mary Martha Sherwood | The story is told in the first person. Royde-Smith thought the protagonist, who is clever and learns from her mistakes, resembled the heroines of Jane Austen
. Less like Austen is the fact that she... |
Textual Features | Anne Thackeray Ritchie | ATR
wrote frequently on lesser-known female writers. The collected essays in From an Island include, in addition to the piece on Austen
, one on Heroines and Their Grandmothers which contrasts the cheerful heroines of... |
Textual Features | Mary Ann Kelty | At the end of the first volume Mortimer twice proposes to Eliza: once face to face and unpremeditatedly, then by letter. She does not accept him. By the end of the next volume he is... |
Textual Features | Mary Charlton | MC
's targets are the same as those of Jane Austen
's juvenilia: the motifs and the hyperbole of sentimental and gothic novels. It is not her heroine but her heroine's mother who is led... |
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