Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Features | Annie Keary | All these lives and more are woven together. Mrs Edgecombe has been independently managing a large estate, and she and Walter cannot agree: Clemency could not help noticing the quiet masculine assumption of being necessarily... |
Textual Features | Charlotte Yonge | The paired heroines, Emily and Lilias Mohun, have been traced to Austen
's Sense and Sensibility (though Yonge's pair are only two among a large family). Hayter, Alethea. Charlotte Yonge. Northcote House, 1996. 5 Hayter inadvertently gives Emily's name as Elinor. Hayter, Alethea. Charlotte Yonge. Northcote House, 1996. 5 |
Textual Features | Eudora Welty | |
Textual Features | Catherine Gore | The title of this novel, published in 1836, echoes and responds to Anna Brownell Jameson
's Diary of an Ennuyée, 1826. The hero, Byronic Lord Eustace Hartston, keeps the heroine, Lady Harriet Delaval, some... |
Textual Features | Anna Letitia Barbauld | The series has a general introduction, On the Origin and Progress of Novel-Writing, and a Preface, Biographical and Critical for each novelist, which in its echo of the full and original title of Johnson's... |
Textual Features | Anita Brookner | The novels have been said to owe more to the French tradition than to the English—though French critics have read her as belonging to an English women's tradition, while English reviewers have cited most frequently... |
Textual Features | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Textual Features | Mary Lavin | The novel is a treatment of Irishmiddle-class values.The domestic setting, opening strategy, and structure of the novel appear to be influenced by the work of Jane Austen
, on whom ML
had written her MA thesis. Kelly, Angeline Agnes. Mary Lavin, Quiet Rebel. Wolfhound Press, 1980, http://PS 3523 A946 Z7 K29 1980 HSS. 187 Peterson, Richard F. Mary Lavin. Twayne, 1978. 46-50 Krawschak, Ruth, and Regina Mahlke. Mary Lavin: A Checklist. R. Krawschak, 1979. 29 |
Textual Features | Margaret Oliphant | Elisabeth Jay points out that the title might suggest a bildungsroman with a female protagonist, like Emma by Austen
, whose fine vein of feminine cynicism qtd. in Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 60 Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 66 |
Textual Features | G. B. Stern | A listing of books which GBS
feels to be particularly her own includes Jane Austen
, Edna St Vincent Millay
, Dorothy Parker
, and Rebecca West
's essays. But most of the women authors... |
Textual Features | Kathleen E. Innes | Sources from which excerpts are taken include Jane Austen
's letters, William Cobbett
's Rural Rides, painter Anna Lea Merritt
's book A Hamlet in Old Hampshire, Hampshire Days by William Henry Hudson |
Textual Features | Mary Ann Kelty | At the end of the first volume Mortimer twice proposes to Eliza: once face to face and unpremeditatedly, then by letter. She does not accept him. By the end of the next volume he is... |
Textual Features | A. S. Byatt | Her trenchant comments on the art of fiction include: If you don't see art as being profoundly related to the pleasure principle there's something wrong with you. Friel, James, and Jenny Newman. “A. S. Byatt”. Contemporary British and Irish Fiction: An Introduction through Interviews, edited by Sharon Monteith et al., Hodder Headline, 2004, pp. 36-53. 39 |
Textual Features | Mary Lavin | Mary O'Grady treats the subject of the unfolding of a whole human life—a woman's—from young adulthood to death. ML
's heroine here bears her own Christian name, and the heroine's husband, Tom O'Grady, bears the... |
Textual Features | Virginia Woolf | The book's contents consisted largely of already published journalism, carefully revised for the collection. McNeillie, Andrew, and Virginia Woolf. “Introduction”. The Common Reader, Annotated Edition, Harcourt Brace Jovanovich, 1984, p. ix - xv. x |
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