Jane Austen

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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA 's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.

Connections

Connections Sort descending Author name Excerpt
Textual Features Annie Keary
All these lives and more are woven together. Mrs Edgecombe has been independently managing a large estate, and she and Walter cannot agree: Clemency could not help noticing the quiet masculine assumption of being necessarily...
Textual Features Charlotte Yonge
The paired heroines, Emily and Lilias Mohun, have been traced to Austen 's Sense and Sensibility (though Yonge's pair are only two among a large family).
Hayter, Alethea. Charlotte Yonge. Northcote House, 1996.
5
Hayter inadvertently gives Emily's name as Elinor.
Hayter, Alethea. Charlotte Yonge. Northcote House, 1996.
5
Textual Features Eudora Welty
The word regional, said Welty, is careless, condescending, and an outsider's term; it has no meaning for the insider who is doing the writing.Jane Austen , theBrontësisters , and the writers...
Textual Features Catherine Gore
The title of this novel, published in 1836, echoes and responds to Anna Brownell Jameson 's Diary of an Ennuyée, 1826. The hero, Byronic Lord Eustace Hartston, keeps the heroine, Lady Harriet Delaval, some...
Textual Features Anna Letitia Barbauld
The series has a general introduction, On the Origin and Progress of Novel-Writing, and a Preface, Biographical and Critical for each novelist, which in its echo of the full and original title of Johnson's...
Textual Features Anita Brookner
The novels have been said to owe more to the French tradition than to the English—though French critics have read her as belonging to an English women's tradition, while English reviewers have cited most frequently...
Textual Features Mary Ann Kelty
The book bears in various details the influence of Jane Austen , though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau on the topic of the sensitive...
Textual Features Mary Lavin
The novel is a treatment of Irishmiddle-class values.The domestic setting, opening strategy, and structure of the novel appear to be influenced by the work of Jane Austen , on whom ML had written her MA thesis.
Kelly, Angeline Agnes. Mary Lavin, Quiet Rebel. Wolfhound Press, 1980, http://PS 3523 A946 Z7 K29 1980 HSS.
187
Peterson, Richard F. Mary Lavin. Twayne, 1978.
46-50
Krawschak, Ruth, and Regina Mahlke. Mary Lavin: A Checklist. R. Krawschak, 1979.
29
Textual Features Margaret Oliphant
Elisabeth Jay points out that the title might suggest a bildungsroman with a female protagonist, like Emma by Austen , whose fine vein of feminine cynicism
qtd. in
Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995.
60
Oliphant admired.
Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995.
66
But Hester, unlike Emma, is...
Textual Features G. B. Stern
A listing of books which GBS feels to be particularly her own includes Jane Austen , Edna St Vincent Millay , Dorothy Parker , and Rebecca West 's essays. But most of the women authors...
Textual Features Kathleen E. Innes
Sources from which excerpts are taken include Jane Austen 's letters, William Cobbett 's Rural Rides, painter Anna Lea Merritt 's book A Hamlet in Old Hampshire, Hampshire Days by William Henry Hudson
Textual Features Mary Ann Kelty
At the end of the first volume Mortimer twice proposes to Eliza: once face to face and unpremeditatedly, then by letter. She does not accept him. By the end of the next volume he is...
Textual Features A. S. Byatt
Her trenchant comments on the art of fiction include: If you don't see art as being profoundly related to the pleasure principle there's something wrong with you.
Friel, James, and Jenny Newman. “A. S. Byatt”. Contemporary British and Irish Fiction: An Introduction through Interviews, edited by Sharon Monteith et al., Hodder Headline, 2004, pp. 36-53.
39
The point of reading Jane Austen is...
Textual Features Mary Lavin
Mary O'Grady treats the subject of the unfolding of a whole human life—a woman's—from young adulthood to death. ML 's heroine here bears her own Christian name, and the heroine's husband, Tom O'Grady, bears the...
Textual Features Virginia Woolf
The book's contents consisted largely of already published journalism, carefully revised for the collection.
McNeillie, Andrew, and Virginia Woolf. “Introduction”. The Common Reader, Annotated Edition, Harcourt Brace Jovanovich, 1984, p. ix - xv.
x
Woolf had put detailed consideration into the idea of making a structure for the book, but she ended by rejecting...

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