Jane Austen
-
Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | George Eliot | Ashton
discerns here the influence of Jane Austen
, but she deals with a wider social range and, unlike her predecessor, hints at dialect in the speech of her rustic characters. Ashton, Rosemary. George Eliot: A Life. Hamish Hamilton, 1996. 176 |
Textual Features | Viola Meynell | Through satire, gender issues emerge for the first time in Meynell's work: women are portrayed as fatuous, wanting nothing more than to please men; men, in their turn, are dull and ineffectual. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 153 |
Textual Features | Charlotte Yonge | The paired heroines, Emily and Lilias Mohun, have been traced to Austen
's Sense and Sensibility (though Yonge's pair are only two among a large family). Hayter, Alethea. Charlotte Yonge. Northcote House, 1996. 5 Hayter inadvertently gives Emily's name as Elinor. Hayter, Alethea. Charlotte Yonge. Northcote House, 1996. 5 |
Textual Features | Mary Lavin | Mary O'Grady treats the subject of the unfolding of a whole human life—a woman's—from young adulthood to death. ML
's heroine here bears her own Christian name, and the heroine's husband, Tom O'Grady, bears the... |
Textual Features | Eudora Welty | |
Textual Features | Anna Letitia Barbauld | The series has a general introduction, On the Origin and Progress of Novel-Writing, and a Preface, Biographical and Critical for each novelist, which in its echo of the full and original title of Johnson's... |
Textual Features | Anita Brookner | The novels have been said to owe more to the French tradition than to the English—though French critics have read her as belonging to an English women's tradition, while English reviewers have cited most frequently... |
Textual Features | Henrietta Rouviere Mosse | In The Wayward (Weird) Sister the same character is writing a journal which owes its origin to Samuel Richardson
, that is to Miss Byron, the indefatigable Miss Byron, and Clementina. Oh, but I shall... |
Textual Features | Muriel Jaeger | This book is sometimes called a memoir, but its autobiographical moments are only incidental. MJ
's attention is mostly directed towards books and reading; her own experiences of writing, publishing, and having her works performed... |
Textual Features | A. S. Byatt | Her trenchant comments on the art of fiction include: If you don't see art as being profoundly related to the pleasure principle there's something wrong with you. Friel, James, and Jenny Newman. “A. S. Byatt”. Contemporary British and Irish Fiction: An Introduction through Interviews, edited by Sharon Monteith et al., Hodder Headline, 2004, pp. 36-53. 39 |
Textual Features | G. B. Stern | A listing of books which GBS
feels to be particularly her own includes Jane Austen
, Edna St Vincent Millay
, Dorothy Parker
, and Rebecca West
's essays. But most of the women authors... |
Textual Features | Margaret Drabble | Frances Wingate is accustomed to working with ancient bones, to conferences in distant countries and interviews in glossy magazines—also to sudden plunges into howling despair. For reasons she does not understand, she has ended a... |
Textual Features | Anne Katharine Elwood | Her narratives detail the life events, character, appearance, and publication histories of the various authors. Frequently, as in the case of Austen
, she devotes more time to sketching a physical and mental character than... |
Textual Features | Virginia Woolf | The book's contents consisted largely of already published journalism, carefully revised for the collection. McNeillie, Andrew, and Virginia Woolf. “Introduction”. The Common Reader, Annotated Edition, Harcourt Brace Jovanovich, 1984, p. ix - xv. x |
Textual Features | Q. D. Leavis | The book reflects the Leavis's lofty tone about that large majority of authors who fail to measure up to the best.Jane Austen
was not given a section—because, F. R. Leavis insisted, she was too... |
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