Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort ascending | Author name | Excerpt |
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Intertextuality and Influence | G. B. Stern | GBS
opens the second Austen book with an amusing account of an interview with a seventeen-and-a-half-year-old niece who relates how she has fallen seriously in love with a dashing army officer who is her ideal... |
Intertextuality and Influence | Jane Taylor | Tomkins (whose words open the novel in very much the way that Sterne
's narrator opens A Sentimental Journey) is in search of a wife, but early rules out the heroine from consideration. She... |
Intertextuality and Influence | Cassandra Cooke | The Critical Review offered a plot-summary of Battleridge and said that the grasp of seventeenth-century manners was good, but the work is not very amusing; and, in point of composition, it is despicable. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 778 |
Intertextuality and Influence | Elizabeth Jane Howard | Before beginning this novel she asked the advice of her stepson Martin Amis
to help her choose between this and a present-day version of Austen
's Sense and Sensibility. He opted unhesitatingly for the... |
Intertextuality and Influence | Anne Mozley | These attractive essays in belles lettres employ a relaxed, personal speaking voice (which does not, however, reveal its gender), which puts forward literary opinions with casual confidence. Many essays (like Samuel Johnson
's before them)... |
Intertextuality and Influence | Patricia Beer | This collection shows a deliberate inclination towards subjects whose strangeness startles the reader with an unexpected perspective. The title of the book is a phrase applied to the audience in Concert at Long Melford Church... |
Intertextuality and Influence | P. D. James | PDJ
followed the English tradition of detective-story writing that has continued from the 1920s and 1930s, a genre in which many women have held dominant positions. She spoke of her adolescent reading as influenced in... |
Intertextuality and Influence | Stella Gibbons | The plot opens when the young, urban, highly civilised, bossy London heroine, Flora Poste, decides (when her parents die leaving her an unexpectedly small income) to live off her exaggeratedly rustic Sussex relations. (Flora admires... |
Intertextuality and Influence | Barbara Pym | The central characters here are Jane Cleveland, a kindly and somewhat fey Oxford
don, and Prudence Bates, Jane's former student and surrogate daughter. Jane's main preoccupation is matchmaking for Prudence: she likens herself not only... |
Intertextuality and Influence | Beatrix Potter | |
Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | U. A. Fanthorpe | With this volume, says UAF
, I entered the different world of S. Martin's, Lancaster, and of France; and I was just beginning to have things to say about the condition of women... |
Intertextuality and Influence | Stella Gibbons | The novel is richly intertextual. Jane Austen
is a source of inspiration: Flora's sole occupational goal for the next thirty years is to collect material for a novel as good as Persuasion, but with... |
Intertextuality and Influence | Katherine Mansfield | She opens her review by evoking the experimental, critically controversial current state of the novel, before presenting the surprising picture of Night and Day sailing into port serene and resolute. qtd. in Majumdar, Robin, and Allen McLaurin, editors. Virginia Woolf: The Critical Heritage. Routledge and Kegan Paul, 1975. 79 |
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