MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane.
140
Connections | Author name Sort descending | Excerpt |
---|---|---|
Friends, Associates | Mary Lamb | Within a few months of his death, Coleridge
wrote into a copy of his own poems, beside This Lime-Tree Bower My Prison, Ch. And Mary Lamb—dear to my heart, yea, as it were my... |
Textual Production | Mary Lamb | Sarah Burton observes that Charles Lamb
's poem Written a twelvemonth after the Events (of 27 May 1796), which he thought (and expected Coleridge
to think) the best piece of writing he had yet produced... |
Intertextuality and Influence | Q. D. Leavis | QDL
's thesis was influenced by various sources as well as her husband's dissertation. As Ian MacKillop
notes, her work recalls Wordsworth
's campaign against the gross and violent stimulants MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane. 140 |
Intertextuality and Influence | Edna Lyall | In the middle or fourth stage, headed with Robert Browning
's Oh, the little more, and how much it is! Lyall, Edna. The Autobiography of a Slander. Longmans, Green and Co. 13 |
Textual Production | Una Marson | The subject-matter of her contributions was dictated and limited by her editor, Dunbar T. Wint
, who did not believe that women had any place in the political or intellectual arena. UM
nevertheless found opportunities... |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Literary responses | Harriet Martineau | The Illustrations catapulted HM
into fame: she was lionized by London society. She received flattering responses from Coleridge
and from her precursor as a political economist, Jane Marcet
. Chapman, Maria Weston, and Harriet Martineau. “Memorials of Harriet Martineau”. Harriet Martineau’s Autobiography, James R. Osgood, pp. 2: 131 - 596. 212, 214 |
Textual Production | Harriet Martineau | The Illustrations were an immediate success and were widely read: the first number sold 5,000 copies. Lord Brougham
lamented that the Society for the Diffusion of Useful Knowledgeshould be driven out of the field... |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Friends, Associates | Mary Russell Mitford | She once took her friend and ex-teacher Frances Arabella Rowden
to hear Coleridge
lecture, and sat on tenterhooks as he belittled certain popular poems and seemed about to include one of Rowden's. Pigrome, Stella. “Mary Russell Mitford”. The Charles Lamb Bulletin, Vol. 66 , Charles Lamb Society, pp. 53-62. 58 |
Travel | Mary Russell Mitford | On this trip she also visited Bristol and (very briefly) Barnstaple in Devon. In Bath she was haunted (like many visitors after her) by the idea of Jane Austen
characters, and at Bristol by... |
Intertextuality and Influence | Mary Russell Mitford | MRM
was working on this poem by July 1810. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 1: 91 |
Literary responses | Mary Russell Mitford | She submitted Blanche to Coleridge
for his opinion before its first appearance. On the strength of this poem he encouraged her to write for the stage. Her mother, when the still unfinished Blanche was read... |
Friends, Associates | Hannah More | Among her nineteenth-century visitors were Samuel Taylor Coleridge
(brought by Joseph Cottle
the Bristol bookseller), Cottle, Joseph. Reminiscences of Samuel Taylor Coleridge and Robert Southey. Houlston and Stoneman. 54 |
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