Drabble, Margaret, editor. The Oxford Companion to English Literature. Sixth edition, Oxford University Press, 2000.
Henry James
-
Standard Name: James, Henry
HJ
(who began publishing in 1871 and continued into the twentieth century) left his native USA to settle in England early in his writing career. Known for his extreme subtlety, verging at times on obscurity, he was hugely influential as a novelist, short-story writer, and critic. His also wrote plays, which, however, were unsuccessful on stage.
Connections
Connections Sort descending | Author name | Excerpt |
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Reception | Vernon Lee | One of the first and most appreciative readers of VL
's work was John Addington Symonds
, a leading cultural historian of the time. Her book also brought her the notice and friendship of other... |
Reception | Frances Power Cobbe | FPC
's importance to her contemporaries is most readily recalled today by the fact that Matthew Arnold
thought her a worthy target of his corrective wisdom in The Function of Criticism at the Present Time... |
Reception | Vernon Lee | This book lost Lee the friendship of others who had admired her Studies of the Eighteenth Century in Italy. Broken friendships included those with Oscar Wilde
(refigured as the character Posthlethwaite), Jane
and William Morris |
Reception | Mary Augusta Ward | The novel was a massive success, in the words of Henry Jamesa momentous public event. qtd. in Ward, Mary Augusta. “Introduction”. Robert Elsmere, edited by Rosemary Ashton, Oxford University Press, 1987, p. vii - xviii. vii |
Reception | Ethel Sidgwick | These two books were much praised at their first appearance, and likened to the work of Henry James
. |
Residence | Rumer Godden | RG
moved to a different address in Rye: to Lamb House, the former home of Henry James
, a National Trust
house to which she came by invitation. Simpson, Hassell A. Rumer Godden. Twayne, 1973. 12, 29 |
Textual Features | Margaret Kennedy | Here Kennedy argues that entertainment and enjoyment are valuable aims for the novel. She maintains that the novelist is, in essence, a storyteller, but the storyteller-novelist has been excluded by a literary society that devalues... |
Textual Features | Rebecca Harding Davis | Frances has a strong sense of self, yet she wastes her life and talent pandering to the tastes of the upper classes and sacrificing herself for the sake of her son. Through a character named... |
Textual Features | Edith Wharton | It represents (in a highly James
ian manner) the clash of national cultures through the experience of the young American widow of a French aristocrat. Her dead husband's relations use the custody of her son... |
Textual Features | Beatrice Harraden | They mention the need for new funds and the way they will supplement previous subscriptions. Harraden, Beatrice, and Elizabeth Robins. “The Sussex Hospital”. Times Literary Supplement, No. 934, 11 Dec. 1919, p. 750. 750 |
Textual Features | Anita Brookner | The novels have been said to owe more to the French tradition than to the English—though French critics have read her as belonging to an English women's tradition, while English reviewers have cited most frequently... |
Textual Features | Gertrude Stein | As well as landscape, she also meditates here on space, literature, democracy, superstition, propaganda, national belonging, and identity. (The old woman said I am I because my little dog knows me, but the dog... |
Textual Features | Ethel M. Arnold | EA
’s strength as a writer was in her faculty for criticism. Some of the more prominent novels she reviewed for the Manchester Guardian include George Meredith
’s The Amazing Marriage and Henry James
’s... |
Textual Features | Rosamund Marriott Watson | In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted... |
Textual Features | Ruth Prawer Jhabvala | The script uses narrative by Gilot
in voice-over to supplement its dramatic settings and tense encounters between people. Long, Robert Emmet. The Films of Merchant Ivory. Newly updated ed., Harry N. Abrams, 1997. 247 |
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