Heyrick, Elizabeth. Appeal to the Hearts and Consciences of British Women. A. Cockshaw, 1828.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Elizabeth Montagu | While still unmarried, Elizabeth Robinson (later EM
) became a friend of George Lyttelton
, who was to become her close associate and literary mentor. She probably knew him by February 1740; their relationship deepened... |
Friends, Associates | Catherine Talbot | Six months later CT
was staying with the duchess on an extended visit. She was also a good friend of Elizabeth Montagu
(of whose closeness to Carter she was sometimes jealous); of Montagu's friends George Lyttelton |
Friends, Associates | Jean Marishall | While in LondonJM
was in touch with a long list of patrons or prospective patrons, including those eminent in both the social and literary worlds. The socially prominent included (as well as a colonel... |
Intertextuality and Influence | Clara Reeve | |
Intertextuality and Influence | Elizabeth Heyrick | She begins cautiously by quoting Woman's noblest station is retreat Heyrick, Elizabeth. Appeal to the Hearts and Consciences of British Women. A. Cockshaw, 1828. 2 |
Intertextuality and Influence | Elizabeth B. Lester | |
Literary responses | Samuel Johnson | Like all of Johnson's later works this was controversial. For Johnson the art of biography has nothing to do with eulogy, and (quite apart from personal objections, like Elizabeth Montagu
's indignation at his low... |
Occupation | Jean Marishall | Despite her own skimpy education, she ran a periodical in London (which did not pay), as well as working for children's publisher John Newbery
. She consulted about the periodical with the Duchess of Northumberland |
Publishing | Sarah Fielding | The work was dedicated to Lady Pomfret
. Its 440 subscribers included many prominent people, reflecting the bluestockings' range of influence as well as SF
's local and family connections: Ralph Allen
, Lord Chesterfield |
Textual Features | Elizabeth Montagu | EM
seems to have influenced this work as a whole, in persuading Lyttelton
to reshape it into dialogue from the epistolary form (letters from the dead to the living). Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable, 1923, 2 vols. 2: 179 |
Textual Production | Elizabeth Montagu | Karen O'Brien
argues that Lyttelton
's monumental History of the Life of King Henry the Second, 1767-71, was, in part, the result of intellectual collaboration with Montagu. O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press, 2009. 140 |
Textual Production | Emma Parker | She quoted Lyttelton
on the title-page (which is dated 1810), and dedicated the book (as her first) to her mother. She also supplied it with a prefatory To the Reader and a Conclusion. The... |
Textual Production | Judith Cowper Madan | The Family Miscellany, collected and transcribed by JCM
's brother Ashley Cowper
, dated 1747 and now British Library
MS Add. 28,101, includes plenty of poems by Ashley himself and plenty more ascribed to... |
Textual Production | Jean Marishall | JM
says the idea of writing a comedy was first suggested to her by Hope amid the disappointments that attended the appearance of her first novel. Marishall, Jean. A Series of Letters. C. Elliot, 1788, 2 vols. 2: 195 |
Textual Production | Elizabeth Montagu | EM
contributed, anonymously, three dialogues to Dialogues of the Dead by her friend George, Lord Lyttelton
. Walpole, Horace. The Letters of Horace Walpole. Editor Toynbee, Mrs Paget, Clarendon, 1903–1925, 16 vols. 4: 389 Climenson, Emily J., and Elizabeth Montagu. Elizabeth Montagu, The Queen of the Bluestockings. Her Correspondence from 1720 to 1761. John Murray, 1906, 2 vols. 2: 181 |