Fallon, Ann Connerton. Katharine Tynan. Twayne.
142
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Katharine Tynan | KT
established in her novel She Walks in Beauty (whose title comes from a lyric by Byron
) a plot line she would repeatedly use in later novels. Fallon, Ann Connerton. Katharine Tynan. Twayne. 142 |
Textual Production | Medora Gordon Byron | The first publication by Miss Byron appeared in five volumes from the |
Textual Production | Harriet Smythies | She quoted Byron
and the Greek historian Thucydides
on her title-page, and dedicated the poem to the Spirit of 'The Times'—that is, the newspaper. A letter to the editor of the Times... |
Textual Production | Harriette Wilson | HW
had been writing lively, idiosyncratic letters all her life (of which those to Byron
, for instance, survive). Her Memoirs were a venture not only in publishing but also in blackmail. Having completed enough... |
Textual Production | Lady Caroline Lamb | LCL
kept a diary, in which she recorded, for instance, her famous first impression of Byron
. Late in her life she planned to publish this diary, and to consult Sydney Morgan
about the best... |
Textual Production | Medora Gordon Byron | Miss Byron, author of the English-woman (who was much later labelled as MGB
), published a second novel, Hours of Affluence, and Days of Indigence. The title might bear some allusion to Byron
's... |
Textual Production | Marguerite Gardiner, Countess of Blessington | When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall
rejected the topics she proposed, and suggested that she should write on Byron
. She based her work on... |
Textual Production | George Eliot | Many early extant letters of GE
's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In... |
Textual Production | Caroline Norton | CN
published The Undying One, and Other Poems, with epigraphs taken from Byron
(again, this time from Childe Harold) and La Fontaine
. Athenæum. J. Lection. 137 (1830): 353 |
Textual Production | Margaret Croker | MC
published, with her name and a quotation from Byron
, A Tribute to the Memory of Sir Samuel Romilly. Romilly, a reforming lawyer, killed himself after his wife's death. Croker, Margaret. A Tribute to the Memory of Sir Samuel Romilly. John Souter. title-page |
Textual Production | Marguerite Gardiner, Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 7 |
Textual Production | Caroline Norton | She had begun writing the title poem (pages 3-77 when printed) while at boarding school. She dedicated the volume to Lord Holland
and quoted Byron
on the title page. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby. 63-4 |
Textual Production | Medora Gordon Byron | It was published by Minerva
in three volumes, with mention of the two previous novels published as a Modern Antique, and an &c. suggesting a larger output. The title-page bears an aphorism, Love is... |
Textual Production | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Textual Production | Catherine Gore | As a girl Catherine Moody (later CG
) was called The Poetess by her friends. Two juvenile poems (one a final canto to Byron
's Childe Harold, the other entitled The Graves of the... |
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