Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy.
George Gordon, sixth Baron Byron
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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Family and Intimate relationships | Marie Belloc Lowndes | MBL
's paternal, French grandmother, Louise Swanton Belloc
, was a children's writer, a translator, intimate friend of Stendhal and Victor Hugo
, and the author of a life of Byron
(for which Stendhal
supplied... |
Textual Production | Jane Loudon | The title-page bears a couplet from Byron
's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't. |
Intertextuality and Influence | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
Intertextuality and Influence | Liz Lochhead | In considering the question of why Mary Shelley
created monsters, LL
says she was haunted by that phrase from Goya
: The sleep of reason produces monsters. If you try to force things to be... |
Intertextuality and Influence | Liz Lochhead | The play was written for the Royal Lyceum Theatre Company
, who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's .... |
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Characters | Harriet Lee | The volume opens with The Poet's Address, which excuses its disconnection from the original frame: Should you be good-naturedly disposed, you will not inquire minutely where the travellers were picked up by whom the... |
Intertextuality and Influence | Harriet Lee | This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray
's projected edition of the whole series. Byron
recognised Kruitzner as... |
Literary responses | Harriet Lee | Byron
praised the Canterbury Tales, but in 1913George Saintsbury
asserted that Byron had done so either irresponsibly or impishly. They were, he said, not exactly bad, but also as far as possible from... |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. |
Health | Lady Caroline Lamb | LCL
met with Byron
's funeral cortege (by accident, she said) on its way from London to Newstead; she never really recovered from the breakdown brought on by this encounter. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 18 Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 192 |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
death | Lady Caroline Lamb | LCL
died at Melbourne House in London; she left to Sydney Morgan
her portrait of Byron
and some of his letters. Her biographer Douglass dates her death as the 25th, while the Oxford Dictionary... |
Intertextuality and Influence | Lady Caroline Lamb | This is a rollicking, fizzing, flighty, purposely excessive poem. It parodies yet also hitches a lift on Byron
's own whimsical style. Impersonating the male poet who lambasts Our maudlin, hey-down-derrified pathetic Lamb, Lady Caroline. A New Canto. William Wright. 27 |
Textual Production | Lady Caroline Lamb | LCL
read an advance copy of the early cantos of Byron
's Childe Harold, and wrote a poem expressing her wish to emulate him. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 1 |
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