George Gordon, sixth Baron Byron

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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron

Connections

Connections Author name Sort ascending Excerpt
Family and Intimate relationships Marie Belloc Lowndes
MBL 's paternal, French grandmother, Louise Swanton Belloc , was a children's writer, a translator, intimate friend of Stendhal and Victor Hugo , and the author of a life of Byron (for which Stendhal supplied...
Textual Production Jane Loudon
The title-page bears a couplet from Byron 's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't.
Intertextuality and Influence Jane Loudon
This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley 's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan , Byron , and especially Scott
Intertextuality and Influence Liz Lochhead
In considering the question of why Mary Shelley created monsters, LL says she was haunted by that phrase from Goya : The sleep of reason produces monsters. If you try to force things to be...
Intertextuality and Influence Liz Lochhead
The play was written for the Royal Lyceum Theatre Company , who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's ....
Intertextuality and Influence Amy Levy
The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL plants allusions to Jane Eyre and to famous English...
Characters Harriet Lee
The volume opens with The Poet's Address, which excuses its disconnection from the original frame: Should you be good-naturedly disposed, you will not inquire minutely where the travellers were picked up by whom the...
Intertextuality and Influence Harriet Lee
This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray 's projected edition of the whole series. Byron recognised Kruitzner as...
Literary responses Harriet Lee
Byron praised the Canterbury Tales, but in 1913George Saintsbury asserted that Byron had done so either irresponsibly or impishly. They were, he said, not exactly bad, but also as far as possible from...
Textual Production Marghanita Laski
The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare , Byron , Shaw , and Wilde . It was shown on Sunday evenings.
Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy.
Health Lady Caroline Lamb
LCL met with Byron 's funeral cortege (by accident, she said) on its way from London to Newstead; she never really recovered from the breakdown brought on by this encounter.
Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol.
8
, pp. 1-24.
18
Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora.
192
Literary responses Lady Caroline Lamb
William Lamb worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford of the Quarterly as an ally in pressuring Caroline to tone...
death Lady Caroline Lamb
LCL died at Melbourne House in London; she left to Sydney Morgan her portrait of Byron and some of his letters.
Her biographer Douglass dates her death as the 25th, while the Oxford Dictionary...
Intertextuality and Influence Lady Caroline Lamb
This is a rollicking, fizzing, flighty, purposely excessive poem. It parodies yet also hitches a lift on Byron 's own whimsical style. Impersonating the male poet who lambasts Our maudlin, hey-down-derrified pathetic
Lamb, Lady Caroline. A New Canto. William Wright.
27
frees Lamb...
Textual Production Lady Caroline Lamb
LCL read an advance copy of the early cantos of Byron 's Childe Harold, and wrote a poem expressing her wish to emulate him.
Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol.
8
, pp. 1-24.
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