George Gordon, sixth Baron Byron

The first publication by Miss Byron appeared in five volumes from the Minerva Press: The English-Woman, A Novel. Not until a British Library (then the British Museum ) catalogue of 1885 was the...

She quoted Byron and the Greek historian Thucydides on her title-page, and dedicated the poem to the Spirit of 'The Times'—that is, the newspaper. A letter to the editor of the Times...

MRM began her verse tragedy Foscari in 1821, after the rejection of Fiesco, and was horrified to discover that Byron had just published The Two Foscari. In late 1822...

Conversations of Lord Byron with the Countess of Blessington appeared in volume form.

LCL kept a diary, in which she recorded, for instance, her famous first impression of Byron . Late in her life she planned to publish this diary, and to consult Sydney Morgan about the best...

Miss Byron, author of the English-woman (who was much later labelled as MGB ), published a second novel, Hours of Affluence, and Days of Indigence.

With The Baron of Falconberg; or, Childe Harolde in Prose, Elizabeth Thomas entered the controversy swirling around Byron , again calling herself Mrs. Bridget Bluemantle and mentioning a long list of previous works.

CN published The Undying One, and Other Poems, with epigraphs taken from Byron (again, this time from Childe Harold) and La Fontaine .

DW set up her own Penns in the Rocks Press and in conjunction with publishers William Collins produced volumes of Byron and Shelley each illustrated in black-and-white and colour.

When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall rejected the topics she proposed, and suggested that she should write on Byron . She based her work on...

Many early extant letters of GE 's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In...

According to its editor Julia Markus , the poem constitutes one of the most detailed accounts of Florence in 1847 and 1849, and it interweaves with that political history of a nation-in-the-making a deeply personal...

Using as a foundation her affair with Byron (not its actual events but its emotional impact), LCL tells a melodramatic, gothic tale in rhapsodic, overblown style. Critic Paul Douglass thinks the fourteen lyrics included in...

Writing beyond the ending of Childe Harold is indicative of the special place that Byron holds in relation to CG 's work. She often quotes his poetry in influential positions, and she plays variations on...

The verse contents of this collection include a poem probably written thirty-six years before, Recollections of a Dear and Steady Friend, Anne Isabella nee Milbanke (generally known as Annabella) , widow of the poet...